Racquel Gates
Biographic Data
| ID | 6748491 |
|---|---|
| NAME | Racquel Gates |
| GIVEN NAMES | Racquel |
| FAMILY NAME | Gates |
| SIGNATURE | GATES R |
| AFFILIATIONS | College of Staten Island |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Baby Mine
In this essay, Racquel Gates revisits the 1941 Disney classic Dumbo via a speculative reading of the black reverberations that run throughout the animated film. Situating her analysis in the act of viewing the film with her sons during the 2020 George Floyd protests, Gates uses her personal experience to reframe the film with a new emphasis on Dumbo’s black resonance, specifically highlighting some of the film’s undertheorized historical and perf…
Keywords Symposium
2020 Keywords Symposium Jennifer C. Nash (bio), Samantha Pinto (bio), Marisol LeBrón (bio), Monica L. Miller (bio), Ann Cvetkovich (bio), Julie Livingston (bio), Psyche Williams-Forson (bio), Ruha Benjamin (bio), Christina Hanhardt (bio), Harris Solomon (bio), Neelima Navuluri (bio), Charles W. Hargett (bio), Peter S. Kussin (bio), Noémi Tousignant (bio), Joshua Chambers-Letson (bio), Tiana Reid (bio), Miriam Posner (bio), Racquel Gates, Sari Alt…
Double Negative
From the antics of Flavor Flav on Flavor of Love to the brazen behavior of the women on Love & Hip Hop, so-called negative images of African Americans are a recurrent mainstay of contemporary American media representations. In Double Negative Racquel J. Gates examines the generative potential of such images, showing how some of the most disreputable representations of black people in popular media can strategically pose questions about blackness,…
Activating the Negative Image
In this article, I propose that scholars should strategically embrace the designation of “negative” that has long been assigned to disreputable images of blackness. I argue that these negative images engage in excess in a way that is inversely proportionate to the lack of any such contemplations of identity in respectable media texts. Activating the definition of “negative” as “expressing or containing negation or denial” reveals the ways that di…
Activating the Negative Image
In this article, I propose that scholars should strategically embrace the designation of “negative” that has long been assigned to disreputable images of blackness. I argue that these negative images engage in excess in a way that is inversely proportionate to the lack of any such contemplations of identity in respectable media texts. Activating the definition of “negative” as “expressing or containing negation or denial” reveals the ways that di…
Activating the Negative Image
In this article, I propose that scholars should strategically embrace the designation of “negative” that has long been assigned to disreputable images of blackness. I argue that these negative images engage in excess in a way that is inversely proportionate to the lack of any such contemplations of identity in respectable media texts. Activating the definition of “negative” as “expressing or containing negation or denial” reveals the ways that di…
Double Negative
From the antics of Flavor Flav on Flavor of Love to the brazen behavior of the women on Love & Hip Hop, so-called negative images of African Americans are a recurrent mainstay of contemporary American media representations. In Double Negative Racquel J. Gates examines the generative potential of such images, showing how some of the most disreputable representations of black people in popular media can strategically pose questions about blackness,…
Keywords Symposium
2020 Keywords Symposium Jennifer C. Nash (bio), Samantha Pinto (bio), Marisol LeBrón (bio), Monica L. Miller (bio), Ann Cvetkovich (bio), Julie Livingston (bio), Psyche Williams-Forson (bio), Ruha Benjamin (bio), Christina Hanhardt (bio), Harris Solomon (bio), Neelima Navuluri (bio), Charles W. Hargett (bio), Peter S. Kussin (bio), Noémi Tousignant (bio), Joshua Chambers-Letson (bio), Tiana Reid (bio), Miriam Posner (bio), Racquel Gates, Sari Alt…
Baby Mine
In this essay, Racquel Gates revisits the 1941 Disney classic Dumbo via a speculative reading of the black reverberations that run throughout the animated film. Situating her analysis in the act of viewing the film with her sons during the 2020 George Floyd protests, Gates uses her personal experience to reframe the film with a new emphasis on Dumbo’s black resonance, specifically highlighting some of the film’s undertheorized historical and perf…
Art (4 works) · Psychology (4 works) · Sociology (4 works) · Aesthetics (3 works) · Art history (2 works) · Gender Studies (2 works) · Linguistics (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Race, History, and American Society (2 works)