Adam Key
Biographic Data
| ID | 6749146 |
|---|---|
| NAME | Adam Key |
| GIVEN NAMES | Adam |
| FAMILY NAME | Key |
| SIGNATURE | KEY A |
| AFFILIATIONS | Tennessee State University |
| ORCID | 0000-0003-4174-4201 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
The Silent A
This critical autoethnography explores experiences as an asexual cismale and the inherent tensions and struggles experienced in the dialectic between societal expectations of sexual desire as a man and the lack of sex drive characteristic of an asexual orientation. It explores the exclusion asexuals experience, as they occupy a third space between straightness and queerness, leaving them nowhere in either the gender or sexuality roles spectrums t…
“The Only Thing That’s Real Is Me”: CM Punk and the Rhetorical Framework of the American Dream
Although the world of professional wrestling is characterized as larger than life, a speech by World Wrestling Entertainment (WWE) wrestler Phillip Brooks appeared to cross the line between fantasy and reality. Brooks’ speech, instead of being character driven, focused on his lack of promotion despite his tenure of hard work. He broke character, addressing specific elements of backstage politics which affected his actual self rather than the char…
A Girl Worth Fighting For: A Rhetorical Critique of Disney Princess Mulan's Bisexuality
Disney recently revealed that its character Mulan was bisexual on its prime time television program, Once Upon A Time. This article critiques this queering's dimensions of freedom and domination through the lens of critical rhetoric. Mulan's queering represents a progressive step forward for Disney, as the company previously had no lesbian, gay, bisexual, transgender (LGBT) characters. However, Disney's choice of the most masculine princess as a …
A Girl Worth Fighting For: A Rhetorical Critique of Disney Princess Mulan's Bisexuality
Disney recently revealed that its character Mulan was bisexual on its prime time television program, Once Upon A Time. This article critiques this queering's dimensions of freedom and domination through the lens of critical rhetoric. Mulan's queering represents a progressive step forward for Disney, as the company previously had no lesbian, gay, bisexual, transgender (LGBT) characters. However, Disney's choice of the most masculine princess as a …
The Silent A
This critical autoethnography explores experiences as an asexual cismale and the inherent tensions and struggles experienced in the dialectic between societal expectations of sexual desire as a man and the lack of sex drive characteristic of an asexual orientation. It explores the exclusion asexuals experience, as they occupy a third space between straightness and queerness, leaving them nowhere in either the gender or sexuality roles spectrums t…
A Girl Worth Fighting For: A Rhetorical Critique of Disney Princess Mulan's Bisexuality
Disney recently revealed that its character Mulan was bisexual on its prime time television program, Once Upon A Time. This article critiques this queering's dimensions of freedom and domination through the lens of critical rhetoric. Mulan's queering represents a progressive step forward for Disney, as the company previously had no lesbian, gay, bisexual, transgender (LGBT) characters. However, Disney's choice of the most masculine princess as a …
“The Only Thing That’s Real Is Me”: CM Punk and the Rhetorical Framework of the American Dream
Although the world of professional wrestling is characterized as larger than life, a speech by World Wrestling Entertainment (WWE) wrestler Phillip Brooks appeared to cross the line between fantasy and reality. Brooks’ speech, instead of being character driven, focused on his lack of promotion despite his tenure of hard work. He broke character, addressing specific elements of backstage politics which affected his actual self rather than the char…
The Silent A
This critical autoethnography explores experiences as an asexual cismale and the inherent tensions and struggles experienced in the dialectic between societal expectations of sexual desire as a man and the lack of sex drive characteristic of an asexual orientation. It explores the exclusion asexuals experience, as they occupy a third space between straightness and queerness, leaving them nowhere in either the gender or sexuality roles spectrums t…
Aesthetics (3 works) · Art (3 works) · Sociology (3 works) · Gender Studies (2 works) · Gender Studies (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Rhetorical question (2 works) · American Sports and Literature (1 works)