Sophie Feyder
Biographic Data
| ID | 6755785 |
|---|---|
| NAME | Sophie Feyder |
| GIVEN NAMES | Sophie |
| FAMILY NAME | Feyder |
| SIGNATURE | FEYDER S |
| AFFILIATIONS | Leiden University, The Netherlands |
| ORCID | 0000-0001-7740-4095 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Portraits of resilience
The Ngilima collection is a unique photographic archive comprising 5600 negatives dating from the 1950s and ‘60s, made by two black photographers, Ronald Ngilima and his son Thorence. The negatives plunge us into the world of the Benoni Location, a mixed-race township in the East Rand (present-day Ekurhuleni, Gauteng), a few years before its destruction by the apartheid government in the mid-1960s. This short review attempts to describe the traje…
A Space of One’s Own
This article considers the significance of studio photography in the lives of young women growing up in the townships of the East Rand (present-day Ekurhuleni, South Africa). Studio photographs and personal photographic albums are an interesting source to analyze the making of 1950s youth culture from the perspective of young women. This perspective is difficult if not impossible to obtain if historians focus solely on the emerging gang subcultur…
A Space of One’s Own
This article considers the significance of studio photography in the lives of young women growing up in the townships of the East Rand (present-day Ekurhuleni, South Africa). Studio photographs and personal photographic albums are an interesting source to analyze the making of 1950s youth culture from the perspective of young women. This perspective is difficult if not impossible to obtain if historians focus solely on the emerging gang subcultur…
A Space of One’s Own
This article considers the significance of studio photography in the lives of young women growing up in the townships of the East Rand (present-day Ekurhuleni, South Africa). Studio photographs and personal photographic albums are an interesting source to analyze the making of 1950s youth culture from the perspective of young women. This perspective is difficult if not impossible to obtain if historians focus solely on the emerging gang subcultur…
Portraits of resilience
The Ngilima collection is a unique photographic archive comprising 5600 negatives dating from the 1950s and ‘60s, made by two black photographers, Ronald Ngilima and his son Thorence. The negatives plunge us into the world of the Benoni Location, a mixed-race township in the East Rand (present-day Ekurhuleni, Gauteng), a few years before its destruction by the apartheid government in the mid-1960s. This short review attempts to describe the traje…
African history and culture studies (2 works) · Art (2 works) · History (2 works) · Sociology (2 works) · South African History and Culture (2 works) · Visual arts (2 works) · Advertising (1 work) · Archaeology and Rock Art Studies (1 work) · Art history (1 work) · Courtship (1 work)