Nora Tataryan Aslan
Biographic Data
| ID | 6758838 |
|---|---|
| NAME | Nora Tataryan Aslan |
| GIVEN NAMES | Nora Tataryan |
| FAMILY NAME | Aslan |
| SIGNATURE | ASLAN N T |
| AFFILIATIONS | Kadir Has University |
| ORCID | 0000-0002-5405-8369 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Entangled histories, healing spaces
This visual essay explores the intersections of contemporary art, relational aesthetics and therapeutic potential through an analysis of Hale Tenger’s Appearance (2019), a mixed-media and sound installation created for the 16th Istanbul Biennial. The work integrates volcanic obsidian mirrors and a poetic soundscape to evoke themes of introspection, agency and humanity’s relationship with nature. While not explicitly framed within art therapy, App…
Art and Collective Healing
Sarkis Zabunyan, one of the prominent figures in Turkish contemporary art, was selected to represent the Turkish pavilion in the Venice Biennale in 2015. Since 2015 was the centennial of the Armenian Genocide, a genocide that has not been recognized by the Turkish Republic for more than a hundred years, and Sarkis being an Istanbul Armenian born and raised in Turkey, the selection caused quite a stir and sparked a public discussion on art and col…
Facing the Past
Through a consideration of three film works—Ravished Armenia/Auction of Souls (1919), Testimony (2007), and Remembering (2019), which all represent the testimonies of Armenian women to form truths of the catastrophe—this article problematizes how such portrayals might, contrary to their best intentions, resonate with the logic of genocide. By discussing specific woman figures in the three works, published at three times in the postgenocidal era—o…
Facing the Past
Through a consideration of three film works—Ravished Armenia/Auction of Souls (1919), Testimony (2007), and Remembering (2019), which all represent the testimonies of Armenian women to form truths of the catastrophe—this article problematizes how such portrayals might, contrary to their best intentions, resonate with the logic of genocide. By discussing specific woman figures in the three works, published at three times in the postgenocidal era—o…
Facing the Past
Through a consideration of three film works—Ravished Armenia/Auction of Souls (1919), Testimony (2007), and Remembering (2019), which all represent the testimonies of Armenian women to form truths of the catastrophe—this article problematizes how such portrayals might, contrary to their best intentions, resonate with the logic of genocide. By discussing specific woman figures in the three works, published at three times in the postgenocidal era—o…
Art and Collective Healing
Sarkis Zabunyan, one of the prominent figures in Turkish contemporary art, was selected to represent the Turkish pavilion in the Venice Biennale in 2015. Since 2015 was the centennial of the Armenian Genocide, a genocide that has not been recognized by the Turkish Republic for more than a hundred years, and Sarkis being an Istanbul Armenian born and raised in Turkey, the selection caused quite a stir and sparked a public discussion on art and col…
Entangled histories, healing spaces
This visual essay explores the intersections of contemporary art, relational aesthetics and therapeutic potential through an analysis of Hale Tenger’s Appearance (2019), a mixed-media and sound installation created for the 16th Istanbul Biennial. The work integrates volcanic obsidian mirrors and a poetic soundscape to evoke themes of introspection, agency and humanity’s relationship with nature. While not explicitly framed within art therapy, App…
Art Therapy and Mental Health (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Armenian (1 work) · Art (1 work) · Computer Science (1 work) · Computer security (1 work) · Ecological psychology (1 work) · Epistemology (1 work) · Genocide (1 work)