Urszula Kizelbach
Biographic Data
| ID | 6772822 |
|---|---|
| NAME | Urszula Kizelbach |
| GIVEN NAMES | Urszula |
| FAMILY NAME | Kizelbach |
| SIGNATURE | KIZELBACH U |
| AFFILIATIONS | Adam Mickiewicz University in Poznań |
| ORCID | 0000-0003-1671-1248 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Pragmatics of Fiction
The Pragmatics of Fiction is a pragmatics textbook devoted to the study of fictional texts—understood broadly as the novel, poetry, fictional dialogues in films and TV series, and drama—using pragmatic tools and theories. Locher and Jucker’s book addresses “fictional texts as cultural artefacts in their own right” (224) rather than mere artificial depositories of linguistic data for pragmaticists. Rich in theoretical pragmatic approaches, this st…
The pragmatics of royal discourse in William Shakespeare’s Henry vi
Politeness ( Brown and Gilman 1989 ; Rudanko 1993 ; Kopytko 1995 ) and impoliteness ( Culpeper 1996 , 2001 ; Bousfield 2007 ) have a prominent place in the reading of Shakespearean drama and serve as a means of characterisation. In this study, I utilise (im)politeness and face theory to characterise the royal discourse in 1, 2, 3 Henry vi . The study aims to analyse the linguistic behaviour of King Henry vi to see how well his royal discourse ref…
The Polish Shakespearean stage in the post-transformational era
The Shakespearean stage productions after 1989 reflected social, political and economic changes in the rapidly transforming Polish reality, which gave rise to a modern type of audience whose sensitivity was shaped by popular music, cinema, digital media and the mass culture. Contemporary Polish directors (Jan Klata, Maja Kleczewska, Grzegorz Jarzyna, Krzysztof Warlikowski) recognized that modernity and tradition can (and should) be combined onsta…
No prominent works on this page.
The Polish Shakespearean stage in the post-transformational era
The Shakespearean stage productions after 1989 reflected social, political and economic changes in the rapidly transforming Polish reality, which gave rise to a modern type of audience whose sensitivity was shaped by popular music, cinema, digital media and the mass culture. Contemporary Polish directors (Jan Klata, Maja Kleczewska, Grzegorz Jarzyna, Krzysztof Warlikowski) recognized that modernity and tradition can (and should) be combined onsta…
The Pragmatics of Fiction
The Pragmatics of Fiction is a pragmatics textbook devoted to the study of fictional texts—understood broadly as the novel, poetry, fictional dialogues in films and TV series, and drama—using pragmatic tools and theories. Locher and Jucker’s book addresses “fictional texts as cultural artefacts in their own right” (224) rather than mere artificial depositories of linguistic data for pragmaticists. Rich in theoretical pragmatic approaches, this st…
The pragmatics of royal discourse in William Shakespeare’s Henry vi
Politeness ( Brown and Gilman 1989 ; Rudanko 1993 ; Kopytko 1995 ) and impoliteness ( Culpeper 1996 , 2001 ; Bousfield 2007 ) have a prominent place in the reading of Shakespearean drama and serve as a means of characterisation. In this study, I utilise (im)politeness and face theory to characterise the royal discourse in 1, 2, 3 Henry vi . The study aims to analyse the linguistic behaviour of King Henry vi to see how well his royal discourse ref…
Art (3 works) · Drama (3 works) · Literature (3 works) · Language, Discourse, Communication Strategies (2 works) · Language, Metaphor, and Cognition (2 works) · Law (2 works) · Linguistics (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works)