Tobiasz Trawiński
Biographic Data
| ID | 6795694 |
|---|---|
| NAME | Tobiasz Trawiński |
| GIVEN NAMES | Tobiasz |
| FAMILY NAME | Trawiński |
| SIGNATURE | TRAWIŃSKI T |
| AFFILIATIONS | Liverpool Hope University |
| ORCID | 0000-0001-5285-4559 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Visual exploration mediates the influence of personal traits on responses to artworks in an art gallery setting
The present study investigated the role of visual exploration of artworks in relation to personal traits and aesthetic responses during a visit to the TATE Liverpool gallery. Specifically, the study tested whether visual exploration mediated the influence of individual differences in personality and cognitive style on aesthetic responses. Fifty-six visitors to the gallery viewed seven artworks while their eye movements were recorded. Participants…
Impact of viewing time on aesthetic experience of Christian medieval Nubian wall paintings
Aesthetic experience may foster positive connections between visitors and heritage sites. However, the way people engage with and esthetically experience archaeological heritage is not yet well understood. To address this gap, in the present on-site study, we explored how viewers’ cultural backgrounds might influence their aesthetic experience of Christian medieval Nubian wall paintings. Specifically, Sudanese and Western subjects were asked to v…
Spectatorship of Medieval Nubian Paintings
Our understanding of how visitors’ cultural backgrounds shape their visual engagement with archaeological heritage remains relatively limited. The present study explores the effect of visitors’ cultural backgrounds on visual inspection. Forty-eight Sudanese and 19 Western visitors of the Monastery on Kom H at the Old Dongola archaeological site (Sudan) were asked to view 17 medieval Nubian wall paintings while their eye movements were being recor…
The influence of culture on the viewing of Western and East Asian paintings
The influence of British and Chinese culture on the viewing of paintings from Western and East Asian traditions was explored in an old/new discrimination task. Accuracy data were considered alongside signal detection measures of sensitivity and bias. The results showed participant culture and painting tradition interacted but only with respect to response bias and not sensitivity. Eye movements were also recorded during encoding and discriminatio…
The time-course of fixations in representational paintings
British and Chinese participants viewed a set of Western representational paintings (henceforth paintings) for later identification in a yes/no discrimination task. Eye movements were recorded while participants viewed the paintings with each painting split into face, theme of the painting and its context regions of interest (ROIs). British participants performed the discrimination task more accurately than Chinese participants. Eye movement data…
The spectatorship of portraits by naïve beholders
The spectatorship of portraits by naïve viewers (beholders) was explored in a single experiment. Twenty-five participants rated their liking for 142 portraits painted by Courbet (36 paintings), Fantin-Latour (36 paintings) and Manet (70 paintings) on a 4-point Likert scale. The portraits were classified in terms of focussed versus ambiguous nature of sitter gaze and the presence of salient features in the context beyond sitters. Participants rate…
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The spectatorship of portraits by naïve beholders
The spectatorship of portraits by naïve viewers (beholders) was explored in a single experiment. Twenty-five participants rated their liking for 142 portraits painted by Courbet (36 paintings), Fantin-Latour (36 paintings) and Manet (70 paintings) on a 4-point Likert scale. The portraits were classified in terms of focussed versus ambiguous nature of sitter gaze and the presence of salient features in the context beyond sitters. Participants rate…
The time-course of fixations in representational paintings
British and Chinese participants viewed a set of Western representational paintings (henceforth paintings) for later identification in a yes/no discrimination task. Eye movements were recorded while participants viewed the paintings with each painting split into face, theme of the painting and its context regions of interest (ROIs). British participants performed the discrimination task more accurately than Chinese participants. Eye movement data…
The influence of culture on the viewing of Western and East Asian paintings
The influence of British and Chinese culture on the viewing of paintings from Western and East Asian traditions was explored in an old/new discrimination task. Accuracy data were considered alongside signal detection measures of sensitivity and bias. The results showed participant culture and painting tradition interacted but only with respect to response bias and not sensitivity. Eye movements were also recorded during encoding and discriminatio…
Visual exploration mediates the influence of personal traits on responses to artworks in an art gallery setting
The present study investigated the role of visual exploration of artworks in relation to personal traits and aesthetic responses during a visit to the TATE Liverpool gallery. Specifically, the study tested whether visual exploration mediated the influence of individual differences in personality and cognitive style on aesthetic responses. Fifty-six visitors to the gallery viewed seven artworks while their eye movements were recorded. Participants…
Impact of viewing time on aesthetic experience of Christian medieval Nubian wall paintings
Aesthetic experience may foster positive connections between visitors and heritage sites. However, the way people engage with and esthetically experience archaeological heritage is not yet well understood. To address this gap, in the present on-site study, we explored how viewers’ cultural backgrounds might influence their aesthetic experience of Christian medieval Nubian wall paintings. Specifically, Sudanese and Western subjects were asked to v…
Spectatorship of Medieval Nubian Paintings
Our understanding of how visitors’ cultural backgrounds shape their visual engagement with archaeological heritage remains relatively limited. The present study explores the effect of visitors’ cultural backgrounds on visual inspection. Forty-eight Sudanese and 19 Western visitors of the Monastery on Kom H at the Old Dongola archaeological site (Sudan) were asked to view 17 medieval Nubian wall paintings while their eye movements were being recor…
Aesthetic Perception and Analysis (5 works) · Art (4 works) · Painting (4 works) · Visual arts (4 works) · Psychology (3 works) · Aesthetics (2 works) · Art Education and Development (2 works) · Cognitive psychology (2 works) · Cultural heritage (2 works) · Multisensory perception and integration (2 works)