Charles Molesworth
Biographic Data
| ID | 679886 |
|---|---|
| NAME | Charles Molesworth |
| GIVEN NAMES | Charles |
| FAMILY NAME | Molesworth |
| SIGNATURE | MOLESWORTH C |
| AFFILIATIONS | New York Times |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The End Once Again
The End Once Again:Art and Politics at the Close of the Century Charles Molesworth (bio) Keywords Twentieth-century art, politics, John Dewey Taking the measure of the zeitgeist is never an easy task, with every thing to recommend avoiding it. Yet here we are, near the end of a century, indeed a millennium, and the temptation seems more and more irresistible. Early indications suggest that this time no one is going to be caught up in glib repetit…
The Capitalist and the Critic
Shortly after the turn of the twentieth century, the Metropolitan Museum of Art began an ambitious program of collection building and physical expansion that transformed it into one of the world's foremost museums, an eminence that it has maintained ever since. Two men of singular qualities and accomplishments played key roles in the Met's transformation—J. P. Morgan, America's leading financier and a prominent art collector, and Roger Fry, the h…
Alain L. Locke
Alain L. Locke (1886-1954), in his famous 1925 anthology The New Negro, declared that "the pulse of the Negro world has begun to beat in Harlem." Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barth, William Grant Still, Booker T. Washington, W.E.B. Du Bois, Ralph Bunche, and John…
Marianne Moore
Don DeLillo's Perfect Starry Night
Research Article| April 01 1990 Don DeLillo’s Perfect Starry Night Charles Molesworth Charles Molesworth Search for other works by this author on: This Site Google South Atlantic Quarterly (1990) 89 (2): 381–394. https://doi.org/10.1215/00382876-89-2-381 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Charles Molesworth; Don DeLillo’s Perfect Starry Night. South Atlantic Quarterly 1 April 1990; 89…
Recent Criticism on Contemporary American Poetry
Some Paragraphs on Close Encounters
“It's Not Nice to Fool Mother Nature”
No prominent works on this page.
“It's Not Nice to Fool Mother Nature”
Some Paragraphs on Close Encounters
Recent Criticism on Contemporary American Poetry
Don DeLillo's Perfect Starry Night
Research Article| April 01 1990 Don DeLillo’s Perfect Starry Night Charles Molesworth Charles Molesworth Search for other works by this author on: This Site Google South Atlantic Quarterly (1990) 89 (2): 381–394. https://doi.org/10.1215/00382876-89-2-381 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Charles Molesworth; Don DeLillo’s Perfect Starry Night. South Atlantic Quarterly 1 April 1990; 89…
Marianne Moore
Alain L. Locke
Alain L. Locke (1886-1954), in his famous 1925 anthology The New Negro, declared that "the pulse of the Negro world has begun to beat in Harlem." Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barth, William Grant Still, Booker T. Washington, W.E.B. Du Bois, Ralph Bunche, and John…
The Capitalist and the Critic
Shortly after the turn of the twentieth century, the Metropolitan Museum of Art began an ambitious program of collection building and physical expansion that transformed it into one of the world's foremost museums, an eminence that it has maintained ever since. Two men of singular qualities and accomplishments played key roles in the Met's transformation—J. P. Morgan, America's leading financier and a prominent art collector, and Roger Fry, the h…
The End Once Again
The End Once Again:Art and Politics at the Close of the Century Charles Molesworth (bio) Keywords Twentieth-century art, politics, John Dewey Taking the measure of the zeitgeist is never an easy task, with every thing to recommend avoiding it. Yet here we are, near the end of a century, indeed a millennium, and the temptation seems more and more irresistible. Early indications suggest that this time no one is going to be caught up in glib repetit…
Art (6 works) · History (6 works) · Literature (5 works) · Art history (4 works) · Citation (3 works) · Poetry (3 works) · Poetry Analysis and Criticism (3 works) · biography (2 works) · Computer Science (2 works) · Contemporary Literature and Criticism (2 works)