Iveta Slavkova
Biographic Data
| ID | 6803076 |
|---|---|
| NAME | Iveta Slavkova |
| GIVEN NAMES | Iveta |
| FAMILY NAME | Slavkova |
| SIGNATURE | SLAVKOVA I |
| AFFILIATIONS | American University of Paris |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Camille Bryen Avant-Gardist/Abhumanist
French artist and poet Camille Bryen (1907–1977) is usually, and always very briefly, cited as a member of the post-Second World War (1939–1945) lyrical abstraction trend in Paris, often designated as Ecole de Paris or Nouvelle Ecole de Paris, Tachisme, or Informel. Bryen painted hybrids of plants, animals, rocks, and humans, mixing the organic with the inorganic, evoking cellular agglomerations, geological structures, or prehistorical drawings. …
“Cemetery=Civilization”
Circus Wols is a multimedia spectacle conceived by Wols during World War II at the Camp des Milles where he was interned between May and October 1940. As a German citizen, the artist was considered an enemy of France and Circus helped him bear the harsh conditions of his imprisonment. Wols envisioned a show of high intellectual and aesthetic value that would employ advanced technology but remain accessible to the masses. As such, it is comparable…
Surviving the Collapse of Humanism after World War II
Camille Bryen is best known as an abstract painter from the post-World World War II “École de Paris.” At the end of the 1940s and throughout the 1950s, his works were claimed by the various branches of lyrical abstraction dominating the Parisian artworld. It is less known that Bryen together with playwright Jacques Audiberti invented a new philosophical concept, “abhumanism,” which he himself considered as the most appropriate term for his art. C…
No prominent works on this page.
Surviving the Collapse of Humanism after World War II
Camille Bryen is best known as an abstract painter from the post-World World War II “École de Paris.” At the end of the 1940s and throughout the 1950s, his works were claimed by the various branches of lyrical abstraction dominating the Parisian artworld. It is less known that Bryen together with playwright Jacques Audiberti invented a new philosophical concept, “abhumanism,” which he himself considered as the most appropriate term for his art. C…
“Cemetery=Civilization”
Circus Wols is a multimedia spectacle conceived by Wols during World War II at the Camp des Milles where he was interned between May and October 1940. As a German citizen, the artist was considered an enemy of France and Circus helped him bear the harsh conditions of his imprisonment. Wols envisioned a show of high intellectual and aesthetic value that would employ advanced technology but remain accessible to the masses. As such, it is comparable…
Camille Bryen Avant-Gardist/Abhumanist
French artist and poet Camille Bryen (1907–1977) is usually, and always very briefly, cited as a member of the post-Second World War (1939–1945) lyrical abstraction trend in Paris, often designated as Ecole de Paris or Nouvelle Ecole de Paris, Tachisme, or Informel. Bryen painted hybrids of plants, animals, rocks, and humans, mixing the organic with the inorganic, evoking cellular agglomerations, geological structures, or prehistorical drawings. …
Art (3 works) · Art history (3 works) · Humanism (3 works) · Literature (3 works) · Aesthetics (2 works) · Civilization (2 works) · French Literature and Critical Theory (2 works) · History (2 works) · Painting (2 works) · Philosophy (2 works)