Courtney Traub
Biographic Data
| ID | 6803275 |
|---|---|
| NAME | Courtney Traub |
| GIVEN NAMES | Courtney |
| FAMILY NAME | Traub |
| SIGNATURE | TRAUB C |
| AFFILIATIONS | American Institute for Economic Research |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
From the Grotesque to Nuclear-Age Precedents
In a New York Times review of MaddAddam , the final instalment in Margaret Atwood’s eco-apocalyptic trilogy, Andrew Sean Greer notes “[w]hat a joy it is to see...Atwood taking such delicious pleasure in the end of the world.” If critics such as Timothy Morton and Michael Branch have lamented the dominance of elegiac, melancholic rhetoric in ecological writing and (in the case of Branch) pleaded for more humor in both literary theory and practice,…
Non‐Anthropocentric Narrative Strategies in Recent Experimental US Fiction
This article pinpoints a genre of contemporary experimental fiction that troubles normative ethical and representational demarcations between human and nonhuman life, aggregating in ecologically posthumanist, non‐anthropocentric perspectives. After offering an overview of current ecocritical debates around humanness and naturalness in the Anthropocene, the article considers two contemporary novels from the US that employ formal devices and self‐r…
Teaching and Learning Guide for
No prominent works on this page.
Non‐Anthropocentric Narrative Strategies in Recent Experimental US Fiction
This article pinpoints a genre of contemporary experimental fiction that troubles normative ethical and representational demarcations between human and nonhuman life, aggregating in ecologically posthumanist, non‐anthropocentric perspectives. After offering an overview of current ecocritical debates around humanness and naturalness in the Anthropocene, the article considers two contemporary novels from the US that employ formal devices and self‐r…
Teaching and Learning Guide for
From the Grotesque to Nuclear-Age Precedents
In a New York Times review of MaddAddam , the final instalment in Margaret Atwood’s eco-apocalyptic trilogy, Andrew Sean Greer notes “[w]hat a joy it is to see...Atwood taking such delicious pleasure in the end of the world.” If critics such as Timothy Morton and Michael Branch have lamented the dominance of elegiac, melancholic rhetoric in ecological writing and (in the case of Branch) pleaded for more humor in both literary theory and practice,…
Art (3 works) · Literature (3 works) · Philosophy (3 works) · Anthropocentrism (2 works) · Narrative (2 works) · Philosophy (2 works) · Psychology (2 works) · Utopian, Dystopian, and Speculative Fiction (2 works) · Aesthetics (1 work) · Anthropocene (1 work)