Clare Sandford-Couch
Biographic Data
| ID | 6804719 |
|---|---|
| NAME | Clare Sandford-Couch |
| GIVEN NAMES | Clare |
| FAMILY NAME | Sandford-Couch |
| SIGNATURE | SANDFORD-COUCH C |
| AFFILIATIONS | Leeds Beckett University |
| ORCID | 0000-0001-7655-9001 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Joseph Bouet in the Durham criminal court (c.1825–1856)
Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches in the criminal courtroom at Durham, of legal actors including judges, lawyers, and defendants. Our research is the first detailed analysis of these images by legal scholars. It is presented in two parts, which can be read as separate and independent pieces, but each gain from being read in conjunction with the other.In Part 1 of this series of two a…
Joseph Bouet in the Durham criminal court (c.1825–1856)
Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches of legal actors in the courtroom at Durham; including images of judges, lawyers, and defendants. Legal imagery from this period in North East England is rare and our research (presented in two parts) is the first detailed analysis of these sketches by legal scholars. This article introduces our preliminary analysis of Bouet’s sketches. We explore pot…
Policemen and Their Moustaches
In April 1861, a local newspaper commented favourably on permission being granted to allow the policemen of Newcastle upon Tyne to wear moustaches, and on the moustaches they subsequently grew. The article demonstrates that these moustaches had an important role to play in the visual construction and performance of social, collective, and professional identities for individual members of the police force in Newcastle in 1861. It suggests that in …
Judging the Judge in Giovanni Boccaccio’s Decameron
Taking an interdisciplinary approach the article offers a fresh legal historical understanding of the Fifth Story of the Eighth Day in Giovanni Boccaccio’s Decameron. Detailed analysis of the tale reveals much about the realities of the administration of justice in fourteenth century Florence and contemporary expectations of those exercising judicial authority. In making apparent the expectation that judges would look and act in a certain manner,…
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Judging the Judge in Giovanni Boccaccio’s Decameron
Taking an interdisciplinary approach the article offers a fresh legal historical understanding of the Fifth Story of the Eighth Day in Giovanni Boccaccio’s Decameron. Detailed analysis of the tale reveals much about the realities of the administration of justice in fourteenth century Florence and contemporary expectations of those exercising judicial authority. In making apparent the expectation that judges would look and act in a certain manner,…
Joseph Bouet in the Durham criminal court (c.1825–1856)
Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches in the criminal courtroom at Durham, of legal actors including judges, lawyers, and defendants. Our research is the first detailed analysis of these images by legal scholars. It is presented in two parts, which can be read as separate and independent pieces, but each gain from being read in conjunction with the other.In Part 1 of this series of two a…
Joseph Bouet in the Durham criminal court (c.1825–1856)
Between c.1825–1856, a French-born artist, Joseph Bouet, made approximately sixty pencil sketches of legal actors in the courtroom at Durham; including images of judges, lawyers, and defendants. Legal imagery from this period in North East England is rare and our research (presented in two parts) is the first detailed analysis of these sketches by legal scholars. This article introduces our preliminary analysis of Bouet’s sketches. We explore pot…
Policemen and Their Moustaches
In April 1861, a local newspaper commented favourably on permission being granted to allow the policemen of Newcastle upon Tyne to wear moustaches, and on the moustaches they subsequently grew. The article demonstrates that these moustaches had an important role to play in the visual construction and performance of social, collective, and professional identities for individual members of the police force in Newcastle in 1861. It suggests that in …
History (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Art (3 works) · Law in Society and Culture (3 works) · Aesthetics (2 works) · Economic Justice (2 works) · Literature (2 works) · Administration (probate law (1 work)