Michael D Bristol
Biographic Data
| ID | 680607 |
|---|---|
| NAME | Michael D Bristol |
| GIVEN NAMES | Michael D |
| FAMILY NAME | Bristol |
| SIGNATURE | BRISTOL M D |
| AFFILIATIONS | McGill University |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 26 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
Shakespeare and Faulkner: Selves and Others
Macbeth the Philosopher: Rethinking Context
Context is derived from a Latin verb for weaving together. It refers to the pattern of a work, the way its subordinate parts relate to its larger structure. In contemporary literary discourse, however, the term usually refers to the much narrower idea of "historical context," insisting that great works of literature are fully and finally determined by the social circumstances in which they were created. What is puzzling about this is why anyone w…
Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period
Clopper Lawrence M., Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period Chicago and London: University of Chicago Press, 2001. xi + 343 pp. $60. ISBN 0-226-1 1030-3. - Volume 55 Issue 4
The Real Shakespeare: Retrieving the Early Years, 1564-1594
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
American Shakespeare, or, the Bourgie-Woogie Blues
IT SEEMS ONLY FITTING THAT AMERICA SHOULD PROVIDE THE SCENE FOR Michael Bristol's sequel to Carnival and Theater: Plebeian Culture and Structure of Authority in Renaissance England.1 Picking up his earlier theme, Shakespeare's America, America's asserts that any true-blooded, American plebeian is likely to recognize as a common denominator of meaning of cultural authority. As Bristol states case in his introduction, Shakespeare enters into consci…
The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital
Richard Halpern. The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital. Ithaca and London: Cornell University Press, 1991. vii + 321 pp. 15.95 pap. - Volume 45 Issue 4
Shakespeare's America, America's Shakespeare
The Rise of the English Street Ballad, 1550-1650
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Shakespeare's America, America's Shakespeare
Shakespeare and the Popular Voice
Of Time and Mime: A Polylog on Festivity
Bakhtin, the Critics, and Folklore
Alternative Shakespeares
This volume takes up the challenge embodied in its predecessors, Alternative Shakespeares and Alternative Shakespeares 2 : to identify and explore the new, the changing, the radically "other" possibilities for Shakespeare studies at our particular historical moment.Alternative Shakespeares 3 introduces the strongest and most innovative of the new directions emerging in Shakespearean scholarship-ranging across performance studies, multimedia and t…
Carnival and theater: Plebeian culture and the structure of authority in Renaissance England
In Elizabethan England, the theatre was not so much an art form but the site of active institution-making, and a celebration of collective life. Bristol develops this argument by drawing on the work of Bakhtin and Durkheim. This book should be of interest to students and teachers of literature, and social and cultural history
Carnival and the Institutions of Theater in Elizabethan England
Theater is an art form; it is also a social institution. The institutional setting and the characteristic formal strategies of theatrical practice are historically contingent a specific culture, so that theater continually redefines itself in relation to other closely related social, cultural, and artistic orders. As literature, a body of texts such as the canon of Elizabethan and Jacobean drama is determined within through the interactive relati…
Carnival and Theatre: Plebeian Culture and the Structure of Authority in Renaissance England
ve come a long way, baby, but we've got a long way to go
Alternative Shakespeares
This volume takes up the challenge embodied in its predecessors, Alternative Shakespeares and Alternative Shakespeares 2 : to identify and explore the new, the changing, the radically "other" possibilities for Shakespeare studies at our particular historical moment.Alternative Shakespeares 3 introduces the strongest and most innovative of the new directions emerging in Shakespearean scholarship-ranging across performance studies, multimedia and t…
Carnival and the Institutions of Theater in Elizabethan England
Theater is an art form; it is also a social institution. The institutional setting and the characteristic formal strategies of theatrical practice are historically contingent a specific culture, so that theater continually redefines itself in relation to other closely related social, cultural, and artistic orders. As literature, a body of texts such as the canon of Elizabethan and Jacobean drama is determined within through the interactive relati…
Carnival and Theatre: Plebeian Culture and the Structure of Authority in Renaissance England
ve come a long way, baby, but we've got a long way to go
Shakespeare's America, America's Shakespeare
Macbeth the Philosopher: Rethinking Context
Context is derived from a Latin verb for weaving together. It refers to the pattern of a work, the way its subordinate parts relate to its larger structure. In contemporary literary discourse, however, the term usually refers to the much narrower idea of "historical context," insisting that great works of literature are fully and finally determined by the social circumstances in which they were created. What is puzzling about this is why anyone w…
Carnival and Theatre: Plebeian Culture and the Structure of Authority in Renaissance England
ve come a long way, baby, but we've got a long way to go
Carnival and the Institutions of Theater in Elizabethan England
Theater is an art form; it is also a social institution. The institutional setting and the characteristic formal strategies of theatrical practice are historically contingent a specific culture, so that theater continually redefines itself in relation to other closely related social, cultural, and artistic orders. As literature, a body of texts such as the canon of Elizabethan and Jacobean drama is determined within through the interactive relati…
Carnival and theater: Plebeian culture and the structure of authority in Renaissance England
In Elizabethan England, the theatre was not so much an art form but the site of active institution-making, and a celebration of collective life. Bristol develops this argument by drawing on the work of Bakhtin and Durkheim. This book should be of interest to students and teachers of literature, and social and cultural history
Alternative Shakespeares
This volume takes up the challenge embodied in its predecessors, Alternative Shakespeares and Alternative Shakespeares 2 : to identify and explore the new, the changing, the radically "other" possibilities for Shakespeare studies at our particular historical moment.Alternative Shakespeares 3 introduces the strongest and most innovative of the new directions emerging in Shakespearean scholarship-ranging across performance studies, multimedia and t…
Of Time and Mime: A Polylog on Festivity
Bakhtin, the Critics, and Folklore
Shakespeare and the Popular Voice
Shakespeare's America, America's Shakespeare
The Rise of the English Street Ballad, 1550-1650
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Shakespeare's America, America's Shakespeare
The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital
Richard Halpern. The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital. Ithaca and London: Cornell University Press, 1991. vii + 321 pp. 15.95 pap. - Volume 45 Issue 4
American Shakespeare, or, the Bourgie-Woogie Blues
IT SEEMS ONLY FITTING THAT AMERICA SHOULD PROVIDE THE SCENE FOR Michael Bristol's sequel to Carnival and Theater: Plebeian Culture and Structure of Authority in Renaissance England.1 Picking up his earlier theme, Shakespeare's America, America's asserts that any true-blooded, American plebeian is likely to recognize as a common denominator of meaning of cultural authority. As Bristol states case in his introduction, Shakespeare enters into consci…
The Real Shakespeare: Retrieving the Early Years, 1564-1594
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period
Clopper Lawrence M., Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period Chicago and London: University of Chicago Press, 2001. xi + 343 pp. $60. ISBN 0-226-1 1030-3. - Volume 55 Issue 4
Macbeth the Philosopher: Rethinking Context
Context is derived from a Latin verb for weaving together. It refers to the pattern of a work, the way its subordinate parts relate to its larger structure. In contemporary literary discourse, however, the term usually refers to the much narrower idea of "historical context," insisting that great works of literature are fully and finally determined by the social circumstances in which they were created. What is puzzling about this is why anyone w…
Shakespeare and Faulkner: Selves and Others
Art (16 works) · History (14 works) · Literature (11 works) · History (8 works) · Sociology (8 works) · Shakespeare, Adaptation, and Literary Criticism (7 works) · Art history (5 works) · Media studies (4 works) · Philosophy (4 works) · Aesthetics (3 works)