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Margaretta M Lovell

Biographic Data

ID680668
NAMEMargaretta M Lovell
GIVEN NAMESMargaretta M
FAMILY NAMELovell
SIGNATURELOVELL M M
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS0
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2017
H-INDEX0
  • The American School

    Margaretta M Lovell•ARTICLE•Journal of American History•2017

    An unusual number of books on eighteenth-century American painting were published in 2016. Among them, Susan Rather's The American School stands out for its high production values—perfectly calibrated color illustrations and marvelously detailed color bleeds embellish almost every page. The text picks up facets of the careers of John Singleton Copley, William Williams, Benjamin West, Gilbert Stuart, and Matthew Pratt, whose 1765 painting of a stu…

  • Money

    Margaretta M Lovell•ARTICLE•American Art•2009

  • The Age of Homespun

    Margaretta M Lovell, Laurel Thatcher Ulrich•ARTICLE•The William and Mary Quarterly•2002

  • Mrs. Sargent, Mr. Copley, and the Empirical Eye

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1998

  • Making Furniture in Preindustrial America

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1998

  • Copley and the Case of the Blue Dress

    Margaretta M Lovell•ARTICLE•Yale journal of criticism/ The…•1998

    Copley and the Case of the Blue Dress Margaretta M. Lovell (bio) Figures Click for larger view View full resolution Figure 1. John Singleton Copley (1738–1815), Mrs. Benjamin Pickman (Mary Toppan, 1744–1817), 1763. Oil on canvas; H. 50”, W. 40”. Yale University Art Gallery; bequest of Edith Malvina K. Wetmore. In 1763, when the Boston painter, John Singleton Copley painted the portrait of Mrs. Benjamin Pickman that now hangs in the Yale Art Galle…

  • Landscape and Memory

    Margaretta M Lovell, Simon Schama•ARTICLE•The William and Mary Quarterly•1998

  • "Such Furniture as Will Be Most Profitable"

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1991

  • California

    Margaretta M Lovell, Claudia K Jurimain et al.•ARTICLE•Journal of American History•1990

    “California: A Place, a People, a Dream.” Oakland Museum, 1000 Oak St., Oakland, CA 94607 Margaretta M. Lovell Margaretta M. Lovell University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 3, December 1990, Pages 960–965, https://doi.org/10.2307/2078996 Published: 01 December 1990

  • Folk Painting-An Oxymoron or a Threat to Folk Orthodoxy

    Open Access•Margaretta M Lovell, John Michael Vlach•ARTICLE•American Quarterly•1990

  • The "Terre Inconnue" of the Colonial Face Colonial American Portraiture

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1989

  • Reading Eighteenth-Century American Family Portraits

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1987

  • Material Culture Studies in America . Thomas J. Schlereth

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1984

No prominent works on this page.

  • Material Culture Studies in America . Thomas J. Schlereth

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1984

  • Reading Eighteenth-Century American Family Portraits

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1987

  • The "Terre Inconnue" of the Colonial Face Colonial American Portraiture

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1989

  • California

    Margaretta M Lovell, Claudia K Jurimain et al.•ARTICLE•Journal of American History•1990

    “California: A Place, a People, a Dream.” Oakland Museum, 1000 Oak St., Oakland, CA 94607 Margaretta M. Lovell Margaretta M. Lovell University of California, Berkeley Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 3, December 1990, Pages 960–965, https://doi.org/10.2307/2078996 Published: 01 December 1990

  • Folk Painting-An Oxymoron or a Threat to Folk Orthodoxy

    Open Access•Margaretta M Lovell, John Michael Vlach•ARTICLE•American Quarterly•1990

  • "Such Furniture as Will Be Most Profitable"

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1991

  • Mrs. Sargent, Mr. Copley, and the Empirical Eye

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1998

  • Making Furniture in Preindustrial America

    Margaretta M Lovell•ARTICLE•Winterthur Portfolio•1998

  • Copley and the Case of the Blue Dress

    Margaretta M Lovell•ARTICLE•Yale journal of criticism/ The…•1998

    Copley and the Case of the Blue Dress Margaretta M. Lovell (bio) Figures Click for larger view View full resolution Figure 1. John Singleton Copley (1738–1815), Mrs. Benjamin Pickman (Mary Toppan, 1744–1817), 1763. Oil on canvas; H. 50”, W. 40”. Yale University Art Gallery; bequest of Edith Malvina K. Wetmore. In 1763, when the Boston painter, John Singleton Copley painted the portrait of Mrs. Benjamin Pickman that now hangs in the Yale Art Galle…

  • Landscape and Memory

    Margaretta M Lovell, Simon Schama•ARTICLE•The William and Mary Quarterly•1998

  • The Age of Homespun

    Margaretta M Lovell, Laurel Thatcher Ulrich•ARTICLE•The William and Mary Quarterly•2002

  • Money

    Margaretta M Lovell•ARTICLE•American Art•2009

  • The American School

    Margaretta M Lovell•ARTICLE•Journal of American History•2017

    An unusual number of books on eighteenth-century American painting were published in 2016. Among them, Susan Rather's The American School stands out for its high production values—perfectly calibrated color illustrations and marvelously detailed color bleeds embellish almost every page. The text picks up facets of the careers of John Singleton Copley, William Williams, Benjamin West, Gilbert Stuart, and Matthew Pratt, whose 1765 painting of a stu…

Art (11 works) · Art history (11 works) · History (11 works) · Computer Science (4 works) · Download (4 works) · Economics (4 works) · Portfolio (4 works) · Portrait (4 works) · Archaeology (3 works) · Classics (3 works)

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