Joy S Kasson

Biographic Data

ID680769
NAMEJoy S Kasson
GIVEN NAMESJoy S
FAMILY NAMEKasson
SIGNATUREKASSON J S
AFFILIATIONSUniversity of North Carolina at Chapel Hill
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS3
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2001
H-INDEX1

  • Buffalo Bill's Wild West

    L G Moses, Joy S KassonARTICLEJournal of American History2001

    Journal Article Buffalo Bill's Wild West: Celebrity, Memory, and Popular History. By Joy S. Kasson. (New York: Hill & Wang, 2000. xii, 319 pp. $27.00, isbn 0-8090-3243-0.) Get access L. G. Moses L. G. Moses Oklahoma State University, Stillwater, Oklahoma Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 88, Issue 3, December 2001, Pages 1090–1091, https://doi.org/10.2307/2700460 Published…

  • Buffalo Bill's Wild West

    Louis S Warren, Joy S KassonARTICLEWestern Historical Quarterly2001

    Louis S. Warren; Buffalo Bill's Wild West: Celebrity, Memory, and Popular History, Western Historical Quarterly, Volume 32, Issue 4, 1 November 2001, Pages

  • Mind in Matter in History

    Joy S KassonARTICLEYale journal of criticism/ The…1998

    Mind in Matter in History: Viewing The Greek Slave Joy S. Kasson (bio) “Objects offer communication from the past,” Jules Prown wrote in an article in American Art. 1 Artifacts from past times, he wrote elsewhere, represent the workings of “mind in matter.” 2 Combining close visual analysis with scrutiny of an object’s context, Jules Prown has inspired a whole generation of art historians to pursue the rich and dynamic nature of the cultural comm…

  • Emblems of American Community in the Revolutionary Era

    Joy S Kasson, Lester C OlsonARTICLEThe Journal of Interdisciplinary…1994

  • Femmes D'esprit in Daumier's Caricature

    Susan P Casteras, Kirsten Powell et al.ARTICLEWoman s Art Journal1993

  • Marble Queens and Captives

    Edith B Gelles, Edith Gelles et al.ARTICLEJournal of American History1991Cited by: 1

    Journal Article Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. By Joy S. Kasson. (New Haven: Yale University Press, 1990. xviii + 293 pp. $40.00.) Get access Edith Gelles Edith Gelles Stanford University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 78, Issue 2, September 1991, Pages 662–663, https://doi.org/10.2307/2079581 Published: 01 September 1991

  • Power and powerlessness

    Joy S KassonARTICLEWomen s Studies1988Cited by: 1References: 5

    (1988). Power and powerlessness: Death, sexuality and the demonic in nineteenth‐century American sculpture. Women's Studies: Vol. 15, No. 4, pp. 343-367

  • Re-Viewing American Romantic Painting

    Open AccessJoy S Kasson, Bryan Jay WolfARTICLEAmerican Quarterly1984

  • Artistic Voyagers

    Christof Wegelin, Joy S KassonARTICLEAmerican Literature1983

  • The Voyage of Life

    Open AccessJoy S KassonARTICLEAmerican Quarterly1975Cited by: 1

    THE ALLEGORICAL PAINTINGS OF THOMAS COLE, THE LEADING AMERICAN landscape painter of the 1830s and 40s, have always presented problems to critics. Contemporary writers praised Cole's allegories for their high moral tone, but the artist found few patrons willing to buy them. Cole bitterly lamented the need to continue what he called pot-boiling, painting simple landscape views with no higher message, complaining that the public wanted things, not t…