Annie Fee
Biographic Data
| ID | 6807748 |
|---|---|
| NAME | Annie Fee |
| GIVEN NAMES | Annie |
| FAMILY NAME | Fee |
| SIGNATURE | FEE A |
| AFFILIATIONS | University of Washington |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Les Midinettes Révolutionnaires
In their quest for official and cultural recognition, French First Wave critics such as Louis Delluc discursively positioned the working-class female cinemagoer as emblematic of the sorry state of unsophisticated French film audiences. From this discourse came the stereotype of the starry-eyed midinette, which is still used by French film critics to describe lowbrow film taste and an overly emotional mode of spectatorship. This essay attempts to …
Silent women
A telling testament to the fate of early women filmmakers can be read in the cinema pages of the newspaper Le Temps in September 1933, where an elderly Alice Guy-Blache writes in response to an art
Gaumont offers “La Russie rouge” and all Paris takes sides’
In the autumn of 1921, protests broke out in Paris cinemas against the anti-Bolshevik documentary La Russie rouge. The protests were organised by branches of the Communist and Socialist Party. In an attempt to restore public order, police attended screenings of the film dressed as bourgeois filmgoers and used physical force to eject protestors. The government decision to police cinemas rather than ban the film only added to the anger of leftist o…
Silent women
A telling testament to the fate of early women filmmakers can be read in the cinema pages of the newspaper Le Temps in September 1933, where an elderly Alice Guy-Blache writes in response to an art
Gaumont offers “La Russie rouge” and all Paris takes sides’
In the autumn of 1921, protests broke out in Paris cinemas against the anti-Bolshevik documentary La Russie rouge. The protests were organised by branches of the Communist and Socialist Party. In an attempt to restore public order, police attended screenings of the film dressed as bourgeois filmgoers and used physical force to eject protestors. The government decision to police cinemas rather than ban the film only added to the anger of leftist o…
Les Midinettes Révolutionnaires
In their quest for official and cultural recognition, French First Wave critics such as Louis Delluc discursively positioned the working-class female cinemagoer as emblematic of the sorry state of unsophisticated French film audiences. From this discourse came the stereotype of the starry-eyed midinette, which is still used by French film critics to describe lowbrow film taste and an overly emotional mode of spectatorship. This essay attempts to …
Silent women
A telling testament to the fate of early women filmmakers can be read in the cinema pages of the newspaper Le Temps in September 1933, where an elderly Alice Guy-Blache writes in response to an art
Art (3 works) · Cinema and Media Studies (3 works) · French Historical and Cultural Studies (3 works) · Media studies (3 works) · Movie theater (3 works) · Sociology (3 works) · Law (2 works) · Left-wing politics (2 works) · Political science (2 works) · Politics (2 works)