Baird Jarman
Biographic Data
| ID | 6807794 |
|---|---|
| NAME | Baird Jarman |
| GIVEN NAMES | Baird |
| FAMILY NAME | Jarman |
| SIGNATURE | JARMAN B |
| AFFILIATIONS | Carleton College |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Many Hands Make Light-Fingered Work
Decades before copyright law established the principle of “work for hire” in 1909, illustrated weekly newspapers treated the drawings of their contributing sketch artists as raw material prepared for publishers and thus rightfully under their control. Such attitudes made sense to employers given the high costs of maintaining embedded war artists during the Civil War, when contemporaneous illustrated reportage emerged as a key selling point for th…
Drawing time
Scholars of cinema history have long identified the variety-theater tradition of lightning artistry among the most crucial influences upon the emergence of motion-picture animation. This article looks specifically at the work of the prominent illustrator and animator Winsor McCay, and examines his popular vaudeville routine entitled “The Seven Ages of Man”, first performed in June 1906, both as an innovative lightning-sketch routine and as a prov…
Eero Saarinen
A Revolutionary in Milwaukee
No prominent works on this page.
A Revolutionary in Milwaukee
Eero Saarinen
Drawing time
Scholars of cinema history have long identified the variety-theater tradition of lightning artistry among the most crucial influences upon the emergence of motion-picture animation. This article looks specifically at the work of the prominent illustrator and animator Winsor McCay, and examines his popular vaudeville routine entitled “The Seven Ages of Man”, first performed in June 1906, both as an innovative lightning-sketch routine and as a prov…
Many Hands Make Light-Fingered Work
Decades before copyright law established the principle of “work for hire” in 1909, illustrated weekly newspapers treated the drawings of their contributing sketch artists as raw material prepared for publishers and thus rightfully under their control. Such attitudes made sense to employers given the high costs of maintaining embedded war artists during the Civil War, when contemporaneous illustrated reportage emerged as a key selling point for th…
Art (3 works) · Art, Politics, and Modernism (2 works) · Computer Science (2 works) · History (2 works) · Political science (2 works) · Sketch (2 works) · Sociology (2 works) · Visual arts (2 works) · Animation (1 work) · Architecture, Design, and Social History (1 work)