Brittney O'Neill
Biographic Data
| ID | 6808532 |
|---|---|
| NAME | Brittney O'Neill |
| GIVEN NAMES | Brittney |
| FAMILY NAME | O'Neill |
| SIGNATURE | NEILL B O |
| AFFILIATIONS | York University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Naked Truth’ about degendering
In West Coast Swing (WCS) dancing, traditionally only men were permitted to lead and women to follow; however, since 2014 the degendering movement has sought to enable all dancers to participate in their preferred role and to remove gendered language from the discourse around leading and following. As part of a larger linguistic ethnography exploring (de)gendered language use in WCS contexts across Central Canada and the US Northeast and Midwest,…
From God’s Eye to Ground Level
Recent advances in high resolution, aerial LiDAR data collection can facilitate a more thorough understanding of three dimensional (3D) urban space across a range of viewpoints from the God’s eye view to the ground level. Using an extremely high resolution aerial LiDAR dataset collected over a 1.5km2 area of central Dublin, Ireland as a case study, this work pursues new vertical and volumetric understandings of the controversial Spire of Dublin. …
No prominent works on this page.
From God’s Eye to Ground Level
Recent advances in high resolution, aerial LiDAR data collection can facilitate a more thorough understanding of three dimensional (3D) urban space across a range of viewpoints from the God’s eye view to the ground level. Using an extremely high resolution aerial LiDAR dataset collected over a 1.5km2 area of central Dublin, Ireland as a case study, this work pursues new vertical and volumetric understandings of the controversial Spire of Dublin. …
The Naked Truth’ about degendering
In West Coast Swing (WCS) dancing, traditionally only men were permitted to lead and women to follow; however, since 2014 the degendering movement has sought to enable all dancers to participate in their preferred role and to remove gendered language from the discourse around leading and following. As part of a larger linguistic ethnography exploring (de)gendered language use in WCS contexts across Central Canada and the US Northeast and Midwest,…
3D Surveying and Cultural Heritage (1 work) · Aesthetics (1 work) · Archaeological Research and Protection (1 work) · Art (1 work) · Computer Science (1 work) · Critical Theory and Philosophy (1 work) · Cultural Heritage Management and Preservation (1 work) · Engineering (1 work) · Gender Politics and Representation (1 work) · Gender, Feminism, and Media (1 work)