Greg Herman
Biographic Data
| ID | 6809805 |
|---|---|
| NAME | Greg Herman |
| GIVEN NAMES | Greg |
| FAMILY NAME | Herman |
| SIGNATURE | HERMAN G |
| AFFILIATIONS | Swansea University |
| ORCID | 0000-0002-2288-0323 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
In search of lost memory: Preservation and ruination in the works of Jorge Semprún
This article explores Jorge Semprún’s wish, first expressed in 1963, to see Buchenwald consumed by nature. It contextualises this desire first in relation to Semprún’s wider corpus and the distinction that he draws between being on either the ‘inside’ or the ‘outside’ of the traumatic experience, and second in relation to Charlotte Delbo’s articulation of the difference between ‘looking’ and ‘seeing’. Through this exploration, this article demons…
Exploring the Canon: Jorge Semprún and the Legacy of Primo Levi
Within a field loosely termed as ‘trauma studies’, the question of closure for the ‘revenant’ or survivor of the camps has become a favoured trope of the academy. In an exploration of this area, this paper shall ask whether through the act of imitiation, cultural convention can be restored, and the potentially cathartic benefits of writing and testifying can be actively facilitated. This question shall be posed through a consideration of the infl…
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Exploring the Canon: Jorge Semprún and the Legacy of Primo Levi
Within a field loosely termed as ‘trauma studies’, the question of closure for the ‘revenant’ or survivor of the camps has become a favoured trope of the academy. In an exploration of this area, this paper shall ask whether through the act of imitiation, cultural convention can be restored, and the potentially cathartic benefits of writing and testifying can be actively facilitated. This question shall be posed through a consideration of the infl…
In search of lost memory: Preservation and ruination in the works of Jorge Semprún
This article explores Jorge Semprún’s wish, first expressed in 1963, to see Buchenwald consumed by nature. It contextualises this desire first in relation to Semprún’s wider corpus and the distinction that he draws between being on either the ‘inside’ or the ‘outside’ of the traumatic experience, and second in relation to Charlotte Delbo’s articulation of the difference between ‘looking’ and ‘seeing’. Through this exploration, this article demons…
Aesthetics (2 works) · Art (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Literature and Cultural Memory (2 works) · Philosophy (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works)