Melissa Karp
Biographic Data
| ID | 6809867 |
|---|---|
| NAME | Melissa Karp |
| GIVEN NAMES | Melissa |
| FAMILY NAME | Karp |
| SIGNATURE | KARP M |
| AFFILIATIONS | Duke University |
| ORCID | 0000-0002-0831-4405 |
| VERIFIED | Yes |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Let me be dust”
Archives of the 5·18 Gwangju People’s Uprising—a 1980 pro-democracy protest in South Korea—entered UNESCO’s Memory of the World Register in 2011. UNESCO’s inclusion provided international recognition for the Uprising after censorship under the Chun Doo-hwan regime; however, the narrative clarity presented through photographs, documents, and testimony in the museum now defines and limits memorialization. By contrast, Ch’oe Yun’s 1988 novella There…
Let me be dust”
Archives of the 5·18 Gwangju People’s Uprising—a 1980 pro-democracy protest in South Korea—entered UNESCO’s Memory of the World Register in 2011. UNESCO’s inclusion provided international recognition for the Uprising after censorship under the Chun Doo-hwan regime; however, the narrative clarity presented through photographs, documents, and testimony in the museum now defines and limits memorialization. By contrast, Ch’oe Yun’s 1988 novella There…
Let me be dust”
Archives of the 5·18 Gwangju People’s Uprising—a 1980 pro-democracy protest in South Korea—entered UNESCO’s Memory of the World Register in 2011. UNESCO’s inclusion provided international recognition for the Uprising after censorship under the Chun Doo-hwan regime; however, the narrative clarity presented through photographs, documents, and testimony in the museum now defines and limits memorialization. By contrast, Ch’oe Yun’s 1988 novella There…
Anthropological Studies and Insights (1 work) · Art (1 work) · Censorship (1 work) · Collective memory (1 work) · History (1 work) · History (1 work) · Ideology (1 work) · Law (1 work) · Law (1 work) · Literature (1 work)