Katarzyna Niziołek
Biographic Data
| ID | 6809885 |
|---|---|
| NAME | Katarzyna Niziołek |
| GIVEN NAMES | Katarzyna |
| FAMILY NAME | Niziołek |
| SIGNATURE | NIZIOŁEK K |
| AFFILIATIONS | University of Białystok |
| ORCID | 0000-0003-3296-3816 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Od teatru moralności do teatralności nauki. Recenzja książki Waldemara Rapiora (2024), Moralność milcząca. Odsłanianie interakcyjnych mechanizmów moralności poprzez post-teatr, Kraków: Wydawnictwo Uni…
Assemblage of Memory: On the Structure, Process and Creativity in Collective Memory
The article is aimed at presenting and discussing the theoretical concept of assemblage of memory inspired by and grounded in the creative work done in connection with social research within the framework of participatory theatre. Based on three projects of this kind that I have collaborated on over the last couple of years, all taking memory as their theme, The Method of National Constellations (2014–2016), Prayer: A Common Theatre (2016–2017), …
I remember little. Almost nothing’. Participatory theatre as a means to access subjugated memories
The article presents and discusses the interdisciplinary, collaborative and participatory research project Bieżenki. Thematically, the project is devoted to the history of the so-called bieżeństwo – a migration of people from eastern Poland during the First World War, forced by the retreating Russian Army, when the Germans broke through the eastern frontline in 1915. The stories of those refugees, among whom were a number of Rus’ peasants, and wi…
Art and Civil Society: From Protest to Cooperation
In the article, adopting the democratic transformation perspective, the author focuses on art as a specific area of civil society. With an eye on Poland, various forms of artistic activism are analyzed and compared, from artistic vanguard and protest art of the communist period, to the practices of cultural democracy and social art of the present day. In particular, the concept of social art is explained and exemplified with three model projects,…
I remember little. Almost nothing’. Participatory theatre as a means to access subjugated memories
The article presents and discusses the interdisciplinary, collaborative and participatory research project Bieżenki. Thematically, the project is devoted to the history of the so-called bieżeństwo – a migration of people from eastern Poland during the First World War, forced by the retreating Russian Army, when the Germans broke through the eastern frontline in 1915. The stories of those refugees, among whom were a number of Rus’ peasants, and wi…
Art and Civil Society: From Protest to Cooperation
In the article, adopting the democratic transformation perspective, the author focuses on art as a specific area of civil society. With an eye on Poland, various forms of artistic activism are analyzed and compared, from artistic vanguard and protest art of the communist period, to the practices of cultural democracy and social art of the present day. In particular, the concept of social art is explained and exemplified with three model projects,…
Assemblage of Memory: On the Structure, Process and Creativity in Collective Memory
The article is aimed at presenting and discussing the theoretical concept of assemblage of memory inspired by and grounded in the creative work done in connection with social research within the framework of participatory theatre. Based on three projects of this kind that I have collaborated on over the last couple of years, all taking memory as their theme, The Method of National Constellations (2014–2016), Prayer: A Common Theatre (2016–2017), …
I remember little. Almost nothing’. Participatory theatre as a means to access subjugated memories
The article presents and discusses the interdisciplinary, collaborative and participatory research project Bieżenki. Thematically, the project is devoted to the history of the so-called bieżeństwo – a migration of people from eastern Poland during the First World War, forced by the retreating Russian Army, when the Germans broke through the eastern frontline in 1915. The stories of those refugees, among whom were a number of Rus’ peasants, and wi…
Od teatru moralności do teatralności nauki. Recenzja książki Waldemara Rapiora (2024), Moralność milcząca. Odsłanianie interakcyjnych mechanizmów moralności poprzez post-teatr, Kraków: Wydawnictwo Uni…
Art (3 works) · History (3 works) · Sociology (3 works) · Archaeology (2 works) · Epistemology (2 works) · Law (2 works) · Memory, Trauma, and Commemoration (2 works) · Polish-Jewish Holocaust Memory Studies (2 works) · Political science (2 works) · Aesthetics (1 works)