Annie Rudd
Biographic Data
| ID | 6811344 |
|---|---|
| NAME | Annie Rudd |
| GIVEN NAMES | Annie |
| FAMILY NAME | Rudd |
| SIGNATURE | RUDD A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Good Subjects, Bad Objects
This article discusses the material culture of the commercial photography studio in nineteenth-century America, examining a succession of objects that made portrait photographs work: technologically, by controlling and shaping bodily movement in order to meet the shifting demands of photographic apparatuses, but also socially, by helping to construct and display bodies in culturally appropriate and putatively revealing ways. It focuses on three v…
Erich Salomon’s Candid Camera and the Framing of Political Authority
This essay examines the cultural, technological, and political significance of the candid camera in the interwar press. Concentrating on Erich Salomon’s photojournalism, as well as discussions of the work of the photojournalist and the relationship between the press and politics, it contends that the candid camera signaled a reframing of political authority in terms readers were encouraged to understand as “humanizing.” Yet the candid camera’s pr…
Victorians Living in Public
This essay examines how the carte de visite functioned as a form of “social media” avant la lettre. The carte de visite, which reached its peak of popularity in the 1860s, was a mobile, public, and performative media form which gained meaning through its circulation. In examining these attributes of the carte’s social significance, this essay contends that the carte possessed many of the attributes that are popularly associated with digital photo…
Victorians Living in Public
This essay examines how the carte de visite functioned as a form of “social media” avant la lettre. The carte de visite, which reached its peak of popularity in the 1860s, was a mobile, public, and performative media form which gained meaning through its circulation. In examining these attributes of the carte’s social significance, this essay contends that the carte possessed many of the attributes that are popularly associated with digital photo…
Victorians Living in Public
This essay examines how the carte de visite functioned as a form of “social media” avant la lettre. The carte de visite, which reached its peak of popularity in the 1860s, was a mobile, public, and performative media form which gained meaning through its circulation. In examining these attributes of the carte’s social significance, this essay contends that the carte possessed many of the attributes that are popularly associated with digital photo…
Erich Salomon’s Candid Camera and the Framing of Political Authority
This essay examines the cultural, technological, and political significance of the candid camera in the interwar press. Concentrating on Erich Salomon’s photojournalism, as well as discussions of the work of the photojournalist and the relationship between the press and politics, it contends that the candid camera signaled a reframing of political authority in terms readers were encouraged to understand as “humanizing.” Yet the candid camera’s pr…
Good Subjects, Bad Objects
This article discusses the material culture of the commercial photography studio in nineteenth-century America, examining a succession of objects that made portrait photographs work: technologically, by controlling and shaping bodily movement in order to meet the shifting demands of photographic apparatuses, but also socially, by helping to construct and display bodies in culturally appropriate and putatively revealing ways. It focuses on three v…
Photography and Visual Culture (3 works) · Political science (3 works) · Sociology (3 works) · Visual Culture and Art Theory (3 works) · Aesthetics (2 works) · Art (2 works) · Law (2 works) · Media studies (2 works) · Visual arts (2 works) · Archaeology (1 work)