Peter Burt
Biographic Data
| ID | 6812375 |
|---|---|
| NAME | Peter Burt |
| GIVEN NAMES | Peter |
| FAMILY NAME | Burt |
| SIGNATURE | BURT P |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Out of Sight, Out of Mind? Ethical Issues Relating to the Use of Autonomous Armed Drones in Promotional Videos
This article considers how autonomous drone systems are portrayed in three promotional videos published by military-industrial advocates of such technology. The videos are reviewed to explore ethical issues relating to armed drones and autonomous systems in warfare. The manner in which each video depicts technology, humans, and human-machine interactions is analysed in the context of sociotechnical imaginaries to examine how the videos reflect at…
Music of Toru Takemitsu
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Takemitsu and the Lydian Chromatic Concept of George Russell
Takemitsu frequently hinted that his harmonic language had been greatly influenced by his 1961 reading of the The Lydian Chromatic Concept of Tonal Organization for Improvisation (1959, Concept Publishing Co.) by the American jazz musician George Russell (b. 1923). However, he gave little indication as to how this influence might actually be reflected in the specific harmonic practice of his own music. The following article attempts to suggest so…
The Music of Tōru Takemitsu
Toru Takemitsu (1930–1996) was the best-known Japanese composer of his generation, bringing aspects of Eastern and Western traditions together, yet he remained something of an elusive figure. The composer's own commentaries about his music, poetic and philosophical in tone, have tended to deepen the mystery and much writing on Takemitsu to date has adopted a similar attitude, leaving many questions about his compositional methods unanswered. This…
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The Music of Tōru Takemitsu
Toru Takemitsu (1930–1996) was the best-known Japanese composer of his generation, bringing aspects of Eastern and Western traditions together, yet he remained something of an elusive figure. The composer's own commentaries about his music, poetic and philosophical in tone, have tended to deepen the mystery and much writing on Takemitsu to date has adopted a similar attitude, leaving many questions about his compositional methods unanswered. This…
Takemitsu and the Lydian Chromatic Concept of George Russell
Takemitsu frequently hinted that his harmonic language had been greatly influenced by his 1961 reading of the The Lydian Chromatic Concept of Tonal Organization for Improvisation (1959, Concept Publishing Co.) by the American jazz musician George Russell (b. 1923). However, he gave little indication as to how this influence might actually be reflected in the specific harmonic practice of his own music. The following article attempts to suggest so…
Music of Toru Takemitsu
Select bibliography
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Out of Sight, Out of Mind? Ethical Issues Relating to the Use of Autonomous Armed Drones in Promotional Videos
This article considers how autonomous drone systems are portrayed in three promotional videos published by military-industrial advocates of such technology. The videos are reviewed to explore ethical issues relating to armed drones and autonomous systems in warfare. The manner in which each video depicts technology, humans, and human-machine interactions is analysed in the context of sociotechnical imaginaries to examine how the videos reflect at…
Computer Science (3 works) · Art (2 works) · Art history (2 works) · History (2 works) · Sociology (2 works) · African history and culture studies (1 work) · Artificial Intelligence (1 work) · Asian Culture and Media Studies (1 work) · Bibliography (1 work) · Computer security (1 work)