Claire O’Mahony
Biographic Data
| ID | 6812392 |
|---|---|
| NAME | Claire O’Mahony |
| GIVEN NAMES | Claire |
| FAMILY NAME | O’Mahony |
| SIGNATURE | O’MAHONY C |
| AFFILIATIONS | University of Oxford |
| ORCID | 0000-0003-2235-489X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Constructive Craft and Contested Regionalities
The methodologies of Critical Regionalism have problematized antiquarian and chauvinist narratives around vernacular building cultures. However, assessment of the agency of anonymous local makers’ craft skills within the construction of the built environment remains neglected within these frameworks centered upon celebrated architects. This special issue explores how the skills and labor of constructive crafts people transform metal, stone and wo…
War within the Walls
While the Siege of Paris and the Commune have long been recognized as uncontested watersheds within modern French history, this attentiveness has principally been focused on the capital as a cipher for national paradigms. Recent historical scholarship has opened up new perspectives on Parisian civil unrest through the lens of Parisian particularism, while art historians have begun to assess the impact of the ‘terrible year’ upon the imaging of mo…
Cubist chameleons
World War I camouflage and its creators afford a rarely considered reversal of traditional understandings of Cubist strategies. Most inter-war and post-war critics ignored the war in their pursuit of a pure Modernist aesthetic formalism. The more recent generation of scholars who forged the New Art History in the 1980s recognized the impact of the war, but tended to focus on the anarchist opposition implicit in Pablo Picasso's papiers colls or th…
No prominent works on this page.
Cubist chameleons
World War I camouflage and its creators afford a rarely considered reversal of traditional understandings of Cubist strategies. Most inter-war and post-war critics ignored the war in their pursuit of a pure Modernist aesthetic formalism. The more recent generation of scholars who forged the New Art History in the 1980s recognized the impact of the war, but tended to focus on the anarchist opposition implicit in Pablo Picasso's papiers colls or th…
War within the Walls
While the Siege of Paris and the Commune have long been recognized as uncontested watersheds within modern French history, this attentiveness has principally been focused on the capital as a cipher for national paradigms. Recent historical scholarship has opened up new perspectives on Parisian civil unrest through the lens of Parisian particularism, while art historians have begun to assess the impact of the ‘terrible year’ upon the imaging of mo…
Constructive Craft and Contested Regionalities
The methodologies of Critical Regionalism have problematized antiquarian and chauvinist narratives around vernacular building cultures. However, assessment of the agency of anonymous local makers’ craft skills within the construction of the built environment remains neglected within these frameworks centered upon celebrated architects. This special issue explores how the skills and labor of constructive crafts people transform metal, stone and wo…
Art (2 works) · Art history (2 works) · French Historical and Cultural Studies (2 works) · History (2 works) · History (2 works) · Painting (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art, Politics, and Modernism (1 work) · Citizenship (1 work)