Solveig Gade
Biographic Data
| ID | 6812403 |
|---|---|
| NAME | Solveig Gade |
| GIVEN NAMES | Solveig |
| FAMILY NAME | Gade |
| SIGNATURE | GADE S |
| AFFILIATIONS | University of Copenhagen |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Developing the Imaginaries and Fantasia of Theatre Institutions: An Interview with Shermin Langhoff
We grab hold of Shermin Langhoff after her opening keynote at the second EASTAP conference, held in Lisbon in September 2019.Seated in the red audience seats in the Teatro Nacional D. Maria II, we congratulate her and the Maxim Gorki Theatre for being elected as EASTAP associate artist/theatre in 2019.And we congratulate EASTAP that Langhoff and her theatre have accepted the invitation.In her keynote, Langhoff mainly focused on the series of the …
The War, the Body, and the Nation: Commemorating the War in Afghanistan at The Danish Royal Theatre
How might contemporary artistic practices respond critically to war in a post-Cold War era in which the distinctions between peace and war are dissolving? Danish director Christian Lollike set out to address this issue in the acclaimed war ballet Contact, which featured an encounter between 33 ballet dancers and three Danish veterans who had been wounded in the war in Afghanistan
Learning to Live with Ghosts in the Aftermath of War: On documentary strategies in Rabih Mroué’s How Nancy Wished That Everything Was an April Fool's Joke
The past decade has witnessed a surge in quasi-documentary art forms engaging with the topic of war and conflict. Taking its point of departure in this trend, this article will analyse and discuss the performance How Nancy Wished That Everything Was an April Fool's Joke by Lebanese artist Rabih Mroué. Positioning the performance within the specific context of post-war Lebanon, the article will explore the ways in which the twisted documentary str…
No prominent works on this page.
Learning to Live with Ghosts in the Aftermath of War: On documentary strategies in Rabih Mroué’s How Nancy Wished That Everything Was an April Fool's Joke
The past decade has witnessed a surge in quasi-documentary art forms engaging with the topic of war and conflict. Taking its point of departure in this trend, this article will analyse and discuss the performance How Nancy Wished That Everything Was an April Fool's Joke by Lebanese artist Rabih Mroué. Positioning the performance within the specific context of post-war Lebanon, the article will explore the ways in which the twisted documentary str…
The War, the Body, and the Nation: Commemorating the War in Afghanistan at The Danish Royal Theatre
How might contemporary artistic practices respond critically to war in a post-Cold War era in which the distinctions between peace and war are dissolving? Danish director Christian Lollike set out to address this issue in the acclaimed war ballet Contact, which featured an encounter between 33 ballet dancers and three Danish veterans who had been wounded in the war in Afghanistan
Developing the Imaginaries and Fantasia of Theatre Institutions: An Interview with Shermin Langhoff
We grab hold of Shermin Langhoff after her opening keynote at the second EASTAP conference, held in Lisbon in September 2019.Seated in the red audience seats in the Teatro Nacional D. Maria II, we congratulate her and the Maxim Gorki Theatre for being elected as EASTAP associate artist/theatre in 2019.And we congratulate EASTAP that Langhoff and her theatre have accepted the invitation.In her keynote, Langhoff mainly focused on the series of the …
Art (3 works) · History (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Spanish Civil War (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Ancient history (1 works) · Appeal (1 works)