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Benjamin Poore

Biographic Data

ID6813451
NAMEBenjamin Poore
GIVEN NAMESBenjamin
FAMILY NAMEPoore
SIGNATUREPOORE B
AFFILIATIONSUniversity of York
ORCID0000-0002-2271-9337
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS3
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2024
H-INDEX1
  • History plays in the twenty-first century

    Open Access•Rebecca Benzie, Benjamin Poore•ARTICLE•Studies in Theatre and Performance•2024

    New plays set in the past continue to make up a significant proportion of theatre productions in England.This article argues that there is much to gain by recognising such works as 'history plays', deploying a broad understanding of this grouping as constituting plays that make a claim to be set in the past.We draw on a range of plays, including as case studies Moira Buffini's Handbagged, Peter Morgan's The Audience, and Lucy Kirkwood's The Welki…

  • Why Leonard Bast Had To Be Killed

    Open Access•Benjamin Poore•ARTICLE•Modernist Cultures•2019

    The misfortunes of the clerk Leonard Bast in E. M. Forster's Howards End have frequently been read as a symptom of modernism's disdain for the lower-middle classes and their aspirations for cultural education. But Howards End is better seen as an extended meditation on the relationship of art and labour, and a criticism of the aesthetic education that Bast receives from the wealthy Schlegel sisters. Using Jacques Rancière's idea that aesthetic fo…

  • Neo-Victorian Villains

    Benjamin Poore•BOOK•Neo-Victorian Villains•2017

    Neo-Victorian Villains is the first edited collection to examine the afterlives of such Victorian villains as Dracula, Svengali, Dorian Gray and Jekyll and Hyde, exploring their representation in neo-Victorian drama and fiction. In addition, Neo-Victorian Villains examines a number of supposedly villainous types, from the spirit medium and the femme fatale to the imperial ‘native’ and the ventriloquist, and traces their development from Victorian…

  • The Transformed Beast

    Open Access•Benjamin Poore•ARTICLE•Victoriographies•2016•Cited by: 2•References: 4

    After only one eight-part season, the television series Penny Dreadful, a Showtime/Sky Atlantic co-production, had already become an international success with an active and vocal fanbase. Yet the relationship of the show (which was created and written by John Logan) to the Victorian serial fiction genre, penny dreadfuls, is an oblique one, and worth unpicking. The first part of this article focuses on the task of teasing out the connections betw…

  • Reclaiming the Dame

    Benjamin Poore•ARTICLE•Comedy Studies•2012•Cited by: 1•References: 1

    Queen Victoria remains one of western culture's most instantly recognizable figures, and continues to appear in comic takes on history and historical adventure. This article aims to provide an overview of the lampooning of Queen Victoria, her public image and private proclivities, a phenomenon that is now in its third century. It focuses in particular on the strange recurrence of Queen Victoria being played by a man, which reached its peak onstag…

  • The Transformed Beast

    Open Access•Benjamin Poore•ARTICLE•Victoriographies•2016•Cited by: 2•References: 4

    After only one eight-part season, the television series Penny Dreadful, a Showtime/Sky Atlantic co-production, had already become an international success with an active and vocal fanbase. Yet the relationship of the show (which was created and written by John Logan) to the Victorian serial fiction genre, penny dreadfuls, is an oblique one, and worth unpicking. The first part of this article focuses on the task of teasing out the connections betw…

  • Reclaiming the Dame

    Benjamin Poore•ARTICLE•Comedy Studies•2012•Cited by: 1•References: 1

    Queen Victoria remains one of western culture's most instantly recognizable figures, and continues to appear in comic takes on history and historical adventure. This article aims to provide an overview of the lampooning of Queen Victoria, her public image and private proclivities, a phenomenon that is now in its third century. It focuses in particular on the strange recurrence of Queen Victoria being played by a man, which reached its peak onstag…

  • Reclaiming the Dame

    Benjamin Poore•ARTICLE•Comedy Studies•2012•Cited by: 1•References: 1

    Queen Victoria remains one of western culture's most instantly recognizable figures, and continues to appear in comic takes on history and historical adventure. This article aims to provide an overview of the lampooning of Queen Victoria, her public image and private proclivities, a phenomenon that is now in its third century. It focuses in particular on the strange recurrence of Queen Victoria being played by a man, which reached its peak onstag…

  • The Transformed Beast

    Open Access•Benjamin Poore•ARTICLE•Victoriographies•2016•Cited by: 2•References: 4

    After only one eight-part season, the television series Penny Dreadful, a Showtime/Sky Atlantic co-production, had already become an international success with an active and vocal fanbase. Yet the relationship of the show (which was created and written by John Logan) to the Victorian serial fiction genre, penny dreadfuls, is an oblique one, and worth unpicking. The first part of this article focuses on the task of teasing out the connections betw…

  • Neo-Victorian Villains

    Benjamin Poore•BOOK•Neo-Victorian Villains•2017

    Neo-Victorian Villains is the first edited collection to examine the afterlives of such Victorian villains as Dracula, Svengali, Dorian Gray and Jekyll and Hyde, exploring their representation in neo-Victorian drama and fiction. In addition, Neo-Victorian Villains examines a number of supposedly villainous types, from the spirit medium and the femme fatale to the imperial ‘native’ and the ventriloquist, and traces their development from Victorian…

  • Why Leonard Bast Had To Be Killed

    Open Access•Benjamin Poore•ARTICLE•Modernist Cultures•2019

    The misfortunes of the clerk Leonard Bast in E. M. Forster's Howards End have frequently been read as a symptom of modernism's disdain for the lower-middle classes and their aspirations for cultural education. But Howards End is better seen as an extended meditation on the relationship of art and labour, and a criticism of the aesthetic education that Bast receives from the wealthy Schlegel sisters. Using Jacques Rancière's idea that aesthetic fo…

  • History plays in the twenty-first century

    Open Access•Rebecca Benzie, Benjamin Poore•ARTICLE•Studies in Theatre and Performance•2024

    New plays set in the past continue to make up a significant proportion of theatre productions in England.This article argues that there is much to gain by recognising such works as 'history plays', deploying a broad understanding of this grouping as constituting plays that make a claim to be set in the past.We draw on a range of plays, including as case studies Moira Buffini's Handbagged, Peter Morgan's The Audience, and Lucy Kirkwood's The Welki…

Art (5 works) · Literature (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · Aesthetics (3 works) · History (3 works) · Sociology (3 works) · Art history (2 works) · Gothic Literature and Media Analysis (2 works) · History (2 works) · Media studies (2 works)

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