Hana Leaper
Biographic Data
| ID | 6813486 |
|---|---|
| NAME | Hana Leaper |
| GIVEN NAMES | Hana |
| FAMILY NAME | Leaper |
| SIGNATURE | LEAPER H |
| ORCID | 0000-0001-9025-4896 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Contemporary Co-Production with Historical Collaborative Feminist Precedents
This article examines The Famous Women Project, a 2019 co‐production initiative at Tate Exchange, through its engagement with three feminist precedents: the Famous Women Dinner Service, Cicely Hamilton’s A Pageant of Great Women, and regional post‐suffrage pageants. It argues that these historically rooted, participatory practices prefigure contemporary co‐production frameworks by modelling democratic intent, equitable collaboration, and valuing …
Old-fashioned modern’
In 1927, Claude Flight proposed that the linocut, a comparatively new art form, could create a new relationship between the modern public and modern art. It was, he theorised, ideally suited for the mass market as it was relatively small, it was relatively cheap, and its directness accorded with the spirit of the modern age. Many works by Flight and other artists of the Grosvenor School, at which Flight taught from 1926 to 1930, democratically al…
No prominent works on this page.
Old-fashioned modern’
In 1927, Claude Flight proposed that the linocut, a comparatively new art form, could create a new relationship between the modern public and modern art. It was, he theorised, ideally suited for the mass market as it was relatively small, it was relatively cheap, and its directness accorded with the spirit of the modern age. Many works by Flight and other artists of the Grosvenor School, at which Flight taught from 1926 to 1930, democratically al…
Contemporary Co-Production with Historical Collaborative Feminist Precedents
This article examines The Famous Women Project, a 2019 co‐production initiative at Tate Exchange, through its engagement with three feminist precedents: the Famous Women Dinner Service, Cicely Hamilton’s A Pageant of Great Women, and regional post‐suffrage pageants. It argues that these historically rooted, participatory practices prefigure contemporary co‐production frameworks by modelling democratic intent, equitable collaboration, and valuing …
Aesthetics (1 work) · Art (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Citizen journalism (1 work) · Crafts, Textile, and Design (1 work) · Cultural Identity and Heritage (1 work) · Democracy (1 work) · Feminism (1 work) · Feminist philosophy (1 work)