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Victoria Nolte

Biographic Data

ID6814024
NAMEVictoria Nolte
GIVEN NAMESVictoria
FAMILY NAMENolte
SIGNATURENOLTE V
AFFILIATIONSCarleton University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Asian Canadian Minor Transnationalism

    Victoria Nolte•ARTICLE•Asian Diasporic Visual Cultures…•2018

    This article provides a comparative analysis of Howie Tsui’s Celestials of Saltwater City (2011) and Ali Kazimi’s Fair Play (2014), two art installations that centre the histories of different Asian Canadian communities (Chinese Canadian and South Asian Canadian, respectively), but are underscored by paralleled experiences of racism, exclusion, and indenture. I bring these works together to propose a rethinking of Asian Canadian art history throu…

  • Radicalism in the wilderness

    Victoria Nolte•ARTICLE•The Sixties•2017•Cited by: 2

    Radicalism in the Wilderness makes an important contribution both to the study of modern art in Japan in the “expanded 1960s” and to the theorization of world art history, elucidating a method of c

  • Artspace

    Victoria Nolte•ARTICLE•Asian Diasporic Visual Cultures…•2016

  • Radicalism in the wilderness

    Victoria Nolte•ARTICLE•The Sixties•2017•Cited by: 2

    Radicalism in the Wilderness makes an important contribution both to the study of modern art in Japan in the “expanded 1960s” and to the theorization of world art history, elucidating a method of c

  • Artspace

    Victoria Nolte•ARTICLE•Asian Diasporic Visual Cultures…•2016

  • Radicalism in the wilderness

    Victoria Nolte•ARTICLE•The Sixties•2017•Cited by: 2

    Radicalism in the Wilderness makes an important contribution both to the study of modern art in Japan in the “expanded 1960s” and to the theorization of world art history, elucidating a method of c

  • Asian Canadian Minor Transnationalism

    Victoria Nolte•ARTICLE•Asian Diasporic Visual Cultures…•2018

    This article provides a comparative analysis of Howie Tsui’s Celestials of Saltwater City (2011) and Ali Kazimi’s Fair Play (2014), two art installations that centre the histories of different Asian Canadian communities (Chinese Canadian and South Asian Canadian, respectively), but are underscored by paralleled experiences of racism, exclusion, and indenture. I bring these works together to propose a rethinking of Asian Canadian art history throu…

Art (3 works) · History (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Asian American and Pacific Histories (1 work)

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