Maeve Eileen Davey
Biographic Data
| ID | 6814064 |
|---|---|
| NAME | Maeve Eileen Davey |
| GIVEN NAMES | Maeve Eileen |
| FAMILY NAME | Davey |
| SIGNATURE | DAVEY M E |
| AFFILIATIONS | University of Ulster |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
“She had to start thinking like a man”
Studies of representations of the body in literature have become so well established as to no longer require extensive explanation or justification of exploring the body as a mode of criticism but, nevertheless, the choice to apply this particular mode of reading to contemporary Northern Irish fiction cannot be glossed over without comment. The body
Twentieth-Century Fiction by Irish Women
Women's writing has always been something of a postscript to the popular conception of Irish literature – a fact that was heavily underlined with the publication of the first three volumes of the Field Day anthologies of Irish literature in the early 1990s, from which the female voice was strikingly absent. Field Day followed up with a fourth volume dedicated to women's writing and edited by women, which for some critics seemed too little, too la…
No prominent works on this page.
Twentieth-Century Fiction by Irish Women
Women's writing has always been something of a postscript to the popular conception of Irish literature – a fact that was heavily underlined with the publication of the first three volumes of the Field Day anthologies of Irish literature in the early 1990s, from which the female voice was strikingly absent. Field Day followed up with a fourth volume dedicated to women's writing and edited by women, which for some critics seemed too little, too la…
“She had to start thinking like a man”
Studies of representations of the body in literature have become so well established as to no longer require extensive explanation or justification of exploring the body as a mode of criticism but, nevertheless, the choice to apply this particular mode of reading to contemporary Northern Irish fiction cannot be glossed over without comment. The body
Art (2 works) · Criticism (2 works) · Irish (2 works) · Irish and British Studies (2 works) · Literary criticism (2 works) · Literature (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Body politic (1 work)