Madeleine Davies
Biographic Data
| ID | 6814073 |
|---|---|
| NAME | Madeleine Davies |
| GIVEN NAMES | Madeleine |
| FAMILY NAME | Davies |
| SIGNATURE | DAVIES M |
| AFFILIATIONS | University of Reading |
| ORCID | 0000-0002-6047-7340 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Self/Image
Margaret Atwood’s extensive back catalogue includes a group of fictive autobiographies, each engaged in a self-reflexive consideration of the problems involved in writing a life story. These fictive meta-autobiographies consciously critique any act of self-representation within narrative in a radical challenge to phallogocentric models of life-writing and truth-telling. This group of texts (including Cat’s Eye [1988], Lady Oracle [1976], The Hand…
The Cambridge Companion to Margaret Atwood
Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media st…
Margaret Atwood’s female bodies
By writing herself, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display.
No prominent works on this page.
The Cambridge Companion to Margaret Atwood
Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media st…
Margaret Atwood’s female bodies
By writing herself, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display.
Self/Image
Margaret Atwood’s extensive back catalogue includes a group of fictive autobiographies, each engaged in a self-reflexive consideration of the problems involved in writing a life story. These fictive meta-autobiographies consciously critique any act of self-representation within narrative in a radical challenge to phallogocentric models of life-writing and truth-telling. This group of texts (including Cat’s Eye [1988], Lady Oracle [1976], The Hand…
Art (3 works) · Literature (3 works) · Utopian, Dystopian, and Speculative Fiction (3 works) · Art history (2 works) · Short Stories in Global Literature (2 works) · Sociology (2 works) · Visual arts (2 works) · 20th century (1 work) · canada (1 work) · Canadian Identity and History (1 work)