Oliver W Larkin
Biographic Data
| ID | 681638 |
|---|---|
| NAME | Oliver W Larkin |
| GIVEN NAMES | Oliver W |
| FAMILY NAME | Larkin |
| SIGNATURE | LARKIN O W |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1949 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 0 |
George Christie (1924-2006)
Samuel F. B. Morse and American Democratic Art
Two Yankee Painters in Italy: Thomas Cole and Samuel Morse
SURVEYING the long record of American painters in Italy, from Benjamin West and John Copley in the eighteenth century to Eugene Berman and Loren MacIver in our time, one concludes that Italian influence upon our art and consequently upon our culture has been determined not only by the personal motives of the artists and their capacity to assimilate what Italy offered, but also at any given time by the character of the American society from which …
Early American Design Motifs
American Painting: History and Interpretation
The Index of American Design
The Pocket History of American Painting
Art and Life in America
Art and Life in America
Art and Life in America
Art and Life in America
From Colony to Nation: An Exhibition of American Painting, Silver and Architecture from 1650 to the War of 1812
The Great Stone Paradox
THE Capitoline George Washington of Horatio Greenough was among most famous statues of mid-nineteenth century. It was largely through effort of Washington Allston that Greenough received this government commission in 18392; its price was be $5000 and its destination Capitol rotunda. The sculptor was twenty-seven and had several years in Italy behind him. Behind that were his Boston and Cambridge days sketches in Athenaeum when he was twelve, less…
No prominent works on this page.
The Great Stone Paradox
THE Capitoline George Washington of Horatio Greenough was among most famous statues of mid-nineteenth century. It was largely through effort of Washington Allston that Greenough received this government commission in 18392; its price was be $5000 and its destination Capitol rotunda. The sculptor was twenty-seven and had several years in Italy behind him. Behind that were his Boston and Cambridge days sketches in Athenaeum when he was twelve, less…
Art and Life in America
Art and Life in America
Art and Life in America
Art and Life in America
From Colony to Nation: An Exhibition of American Painting, Silver and Architecture from 1650 to the War of 1812
American Painting: History and Interpretation
The Index of American Design
The Pocket History of American Painting
Two Yankee Painters in Italy: Thomas Cole and Samuel Morse
SURVEYING the long record of American painters in Italy, from Benjamin West and John Copley in the eighteenth century to Eugene Berman and Loren MacIver in our time, one concludes that Italian influence upon our art and consequently upon our culture has been determined not only by the personal motives of the artists and their capacity to assimilate what Italy offered, but also at any given time by the character of the American society from which …
Early American Design Motifs
Samuel F. B. Morse and American Democratic Art
George Christie (1924-2006)
Art (10 works) · History (9 works) · History (9 works) · Art history (5 works) · Art History and Market Analysis (5 works) · Painting (5 works) · Art Education and Development (4 works) · Art, Politics, and Modernism (4 works) · Political science (4 works) · Visual Culture and Art Theory (4 works)