Anupama Asokan Ponnamma
Biographic Data
| ID | 6817205 |
|---|---|
| NAME | Anupama Asokan Ponnamma |
| GIVEN NAMES | Anupama Asokan |
| FAMILY NAME | Ponnamma |
| SIGNATURE | PONNAMMA A A |
| AFFILIATIONS | Institut Teknologi Nasional Bandung |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Theorizing the Experience of Travel in the Film North 24 Kaatham
There are two spaces in Anil Radhakrishnan's travel narrative, North 24 Kaatham (2013), the topographical space outside and the psychological space inside. The film is read as a dialectical tension that plays out in the character of Harikrishnan who suffers from an obsessive compulsive disorder. The fateful journey of Harikrishnan on a day of harthal (general strike) is, to all appearance, topographical though it is, in equal measure, a psycholog…
The Sculptor and the Professor
A paradigm shift has happened in the relationship between the spectator and the woman-on-the-screen. The shift from an analogue to a digital era implies that the dynamics of objectification have also shifted irrevocably. The two ages of voyeurism are characterized, respectively, through Hitchcock’s Rear Window (1954) and Alex Garland’s Ex Machina (2014). The paper reads that the voyeur in the analogue frame of Rear Window (Jeff) is in a metaphori…
The Sculptor and the Professor
A paradigm shift has happened in the relationship between the spectator and the woman-on-the-screen. The shift from an analogue to a digital era implies that the dynamics of objectification have also shifted irrevocably. The two ages of voyeurism are characterized, respectively, through Hitchcock’s Rear Window (1954) and Alex Garland’s Ex Machina (2014). The paper reads that the voyeur in the analogue frame of Rear Window (Jeff) is in a metaphori…
Theorizing the Experience of Travel in the Film North 24 Kaatham
There are two spaces in Anil Radhakrishnan's travel narrative, North 24 Kaatham (2013), the topographical space outside and the psychological space inside. The film is read as a dialectical tension that plays out in the character of Harikrishnan who suffers from an obsessive compulsive disorder. The fateful journey of Harikrishnan on a day of harthal (general strike) is, to all appearance, topographical though it is, in equal measure, a psycholog…
The Sculptor and the Professor
A paradigm shift has happened in the relationship between the spectator and the woman-on-the-screen. The shift from an analogue to a digital era implies that the dynamics of objectification have also shifted irrevocably. The two ages of voyeurism are characterized, respectively, through Hitchcock’s Rear Window (1954) and Alex Garland’s Ex Machina (2014). The paper reads that the voyeur in the analogue frame of Rear Window (Jeff) is in a metaphori…
Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Art history (1 work) · Cinema and Media Studies (1 work) · Dialectic (1 work) · Geometry (1 work)