Christel Weiler
Biographic Data
| ID | 6818135 |
|---|---|
| NAME | Christel Weiler |
| GIVEN NAMES | Christel |
| FAMILY NAME | Weiler |
| SIGNATURE | WEILER C |
| AFFILIATIONS | Whitman College |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
A Moment When All Concepts Get Lost
This interview took place in January 2019, a few months after the shocking election victory of Brazil’s new president, Jair Bolsonaro, at the end of October 2018. Ismael Ivo – Brazilian dancer, choreographer, for many years head of the dance section of the Venice Biennale and founder of today’s largest European dance festival ImPulsTanz in Vienna– went back to Brazil in 2017 as the new Director of the Balé da Cidade de São Paulo. In this conversa…
‘This book is the very first opportunity for Chinese directors to collectively raise their voice’
This talk between Tian Mansha, Herbert Fritsch, Stefan Christ, Torsten Jost and Christel Weiler took place in July 2018 on the occasion of the presentation of the book Regiekunst heute: Stimmen und
(In)Tending to Provoke
Christel Weiler: What are provocative words for you, your art and activities? And why are they provocative/emotive?Kaite O’Reilly: In my work, I prefer the Merriam-Webster definition of ‘provocativ
Interweaving as a living theatre practice
Christel Weiler: Today, right now, when so many migrants are arriving in Europe, the key question surely centres on what it might mean to live together? How can we cope with this situation and how
It’s All One Family
You Never Knocked On My Door or Okay, Bigmouth, Join In
Tamer Yigit is a Berlin-based musician, actor, film director and theatre maker. His connection with the Research Center ‘Interweaving Performance Cultures’ started with a few invitations to come talk about his work. In turn, he invited a group of Fellows to a sightseeing tour of ‘his Berlin’. In 2018, his production Berlin-DNA, for which Christel Weiler assisted as dramaturgical advisor, premiered at the Hebbel am Ufer Theatre (HAU). This intervi…
Overcoming early career barriers to interdisciplinary climate change research
Climate‐change impacts are among the most serious and complex challenges facing society, affecting both natural and social systems. Addressing these requires a new paradigm of interdisciplinary collaboration which incorporates tools, techniques, and insights from across the social, natural, and engineering sciences. Yet, a wide range of intrinsic and extrinsic hurdles need to be overcome to conduct successful, integrated interdisciplinary researc…
Aufführungsanalyse
Das zeitgenössische Theater stellt häufig eine Herausforderung für das Publikum und die Aufführungsanalyse dar. Um verschiedene Möglichkeiten des Zugangs zu erläutern, führt der Band praxisnah und anschaulich in die theoretischen und methodischen Grundlagen der theaterwissenschaftlichen Aufführungsanalyse ein. Dabei wird eine flexible Methode vorgestellt, die es den Analysierenden ermöglicht, die ästhetischen Merkmale einzelner Aufführungen des z…
Scholarly motivations to conduct interdisciplinary climate change research
Developing next-generation climate change scholars
Overcoming early career barriers to interdisciplinary climate change research
Climate‐change impacts are among the most serious and complex challenges facing society, affecting both natural and social systems. Addressing these requires a new paradigm of interdisciplinary collaboration which incorporates tools, techniques, and insights from across the social, natural, and engineering sciences. Yet, a wide range of intrinsic and extrinsic hurdles need to be overcome to conduct successful, integrated interdisciplinary researc…
Developing next-generation climate change scholars
Scholarly motivations to conduct interdisciplinary climate change research
Developing next-generation climate change scholars
Scholarly motivations to conduct interdisciplinary climate change research
Aufführungsanalyse
Das zeitgenössische Theater stellt häufig eine Herausforderung für das Publikum und die Aufführungsanalyse dar. Um verschiedene Möglichkeiten des Zugangs zu erläutern, führt der Band praxisnah und anschaulich in die theoretischen und methodischen Grundlagen der theaterwissenschaftlichen Aufführungsanalyse ein. Dabei wird eine flexible Methode vorgestellt, die es den Analysierenden ermöglicht, die ästhetischen Merkmale einzelner Aufführungen des z…
Overcoming early career barriers to interdisciplinary climate change research
Climate‐change impacts are among the most serious and complex challenges facing society, affecting both natural and social systems. Addressing these requires a new paradigm of interdisciplinary collaboration which incorporates tools, techniques, and insights from across the social, natural, and engineering sciences. Yet, a wide range of intrinsic and extrinsic hurdles need to be overcome to conduct successful, integrated interdisciplinary researc…
A Moment When All Concepts Get Lost
This interview took place in January 2019, a few months after the shocking election victory of Brazil’s new president, Jair Bolsonaro, at the end of October 2018. Ismael Ivo – Brazilian dancer, choreographer, for many years head of the dance section of the Venice Biennale and founder of today’s largest European dance festival ImPulsTanz in Vienna– went back to Brazil in 2017 as the new Director of the Balé da Cidade de São Paulo. In this conversa…
‘This book is the very first opportunity for Chinese directors to collectively raise their voice’
This talk between Tian Mansha, Herbert Fritsch, Stefan Christ, Torsten Jost and Christel Weiler took place in July 2018 on the occasion of the presentation of the book Regiekunst heute: Stimmen und
(In)Tending to Provoke
Christel Weiler: What are provocative words for you, your art and activities? And why are they provocative/emotive?Kaite O’Reilly: In my work, I prefer the Merriam-Webster definition of ‘provocativ
Interweaving as a living theatre practice
Christel Weiler: Today, right now, when so many migrants are arriving in Europe, the key question surely centres on what it might mean to live together? How can we cope with this situation and how
It’s All One Family
You Never Knocked On My Door or Okay, Bigmouth, Join In
Tamer Yigit is a Berlin-based musician, actor, film director and theatre maker. His connection with the Research Center ‘Interweaving Performance Cultures’ started with a few invitations to come talk about his work. In turn, he invited a group of Fellows to a sightseeing tour of ‘his Berlin’. In 2018, his production Berlin-DNA, for which Christel Weiler assisted as dramaturgical advisor, premiered at the Hebbel am Ufer Theatre (HAU). This intervi…
Art (7 works) · Sociology (6 works) · Visual arts (6 works) · Political science (4 works) · Aesthetics (3 works) · Art history (3 works) · Arts, Culture, and Music Studies (3 works) · Engineering (3 works) · Engineering ethics (3 works) · History (3 works)