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Ellen Mccracken

Biographic Data

ID681934
NAMEEllen Mccracken
GIVEN NAMESEllen
FAMILY NAMEMccracken
SIGNATUREMCCRACKEN E
AFFILIATIONSUniversity of California, Santa Barbara
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS5
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Fray Angélico Chávez and the Colonial Southwest: Historiography and Rematerialization

    Open Access•Ellen Mccracken•ARTICLE•The Americas A Quarterly Review…•2015•Cited by: 1

    In the summer of 1924, townspeople recount, 14-year-old Manuel Chávez built models of colonial New Mexico mission churches in the dirt outside Our Lady of Guadalupe Church in the village of Peña Blanca. He was staying with the Franciscan friars after expressing his desire to enter the seminary, where he would become the first native New Mexico Hispano to be ordained a Franciscan priest in the centuries since the Spanish colonization. Still a boy,…

  • The Author in the Office: Narrative Writing in Twentieth‐Century Argentina and Uruguay ‐ by Jordan, P. R

    Open Access•Ellen Mccracken•ARTICLE•Bulletin of Latin American Research•2009•References: 1

  • Argentina-s. Ricardo Piglia dialoga con la generacion del '37 en la discontinuidad

    Ellen Mccracken, Laura Demaría•ARTICLE•Hispanic Review•2002•Cited by: 3

    Ricardo Piglia dialoga con la generacion del '37 en la discontinuidad. By Laura Demaria. Buenos Aires: Corregidor, 1999. 206 pages. Dialogue and discontinuity, the key connecting words of Laura Demaria's title, succinctly reveal her thesis about the work of Ricardo Piglia, one of Argentina's most innovative and groundbreaking contemporary writers. In his complex fiction, Piglia carries on a textual dialogue with Argentina's foundational nineteent…

  • New Latina Narrative: The Feminine Space of Postmodern Ethnicity

    María Alicia Garza, Ellen Mccracken•ARTICLE•Rocky Mountain Review of Language…•2000

    During the last two decades of the twentieth century, U.S. Latina writers have made a profound impact on American letters with fiction in both mainstream and regional venues. Following on the heels of this vibrant and growing body of work, New Latina Narrative offers the first in-depth synthesis and literary analysis of this transethnic genre. Focusing on the dynamic writing published in the 1980s and 1990s by Mexican American, Puerto Rican, Cuba…

  • New Latina Narrative: The Feminine Space of Postmodern Ethnicity

    Ellen Mccracken•BOOK•New Latina Narrative•1999

  • Subculture, Parody, and the Carnivalesque: A Bakhtinian Reading of Mary Helen Ponce's The Wedding

    Ellen Mccracken•ARTICLE•MELUS Multi-Ethnic Literature of…•1998

    Subculture, Parody, and the Carnivalesque: A Bakhtinian Reading of Mary Helen Ponce’s The Wedding Get access Ellen McCracken Ellen McCracken University of California, Santa Barbara Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 23, Issue 1, March 1998, Pages 117–131, https://doi.org/10.2307/467767 Published: 01 March 1998

  • Desire and Consumption: Women's Magazines in the 1980s

    Open Access•Amy Erdman Farrell, Ellen Mccracken•ARTICLE•American Quarterly•1994

  • Decoding Women’s Magazines: From Mademoiselle to Ms

    Open Access•Ellen Mccracken•BOOK•Decoding Women's Magazines•1993

    A study of the more than fifty US and International glossy publications for women. This analysis focuses on the strategies by which the commercial structure shapes the cultural content, the magazines'

  • Juegos sicologicos en la narrativa de Vargas Llosa

    Ellen Mccracken, Maria Luisa Rodriguez Lee•ARTICLE•Hispania•1985

  • Chicano Theater: Themes and Forms

    Ellen Mccracken, Jorge Huerta et al.•ARTICLE•Hispania•1983

  • Demystifying Cosmopolitan: Five Critical Methods

    Open Access•Ellen Mccracken•ARTICLE•The Journal of Popular Culture•1982•Cited by: 1

  • Argentina-s. Ricardo Piglia dialoga con la generacion del '37 en la discontinuidad

    Ellen Mccracken, Laura Demaría•ARTICLE•Hispanic Review•2002•Cited by: 3

    Ricardo Piglia dialoga con la generacion del '37 en la discontinuidad. By Laura Demaria. Buenos Aires: Corregidor, 1999. 206 pages. Dialogue and discontinuity, the key connecting words of Laura Demaria's title, succinctly reveal her thesis about the work of Ricardo Piglia, one of Argentina's most innovative and groundbreaking contemporary writers. In his complex fiction, Piglia carries on a textual dialogue with Argentina's foundational nineteent…

  • Fray Angélico Chávez and the Colonial Southwest: Historiography and Rematerialization

    Open Access•Ellen Mccracken•ARTICLE•The Americas A Quarterly Review…•2015•Cited by: 1

    In the summer of 1924, townspeople recount, 14-year-old Manuel Chávez built models of colonial New Mexico mission churches in the dirt outside Our Lady of Guadalupe Church in the village of Peña Blanca. He was staying with the Franciscan friars after expressing his desire to enter the seminary, where he would become the first native New Mexico Hispano to be ordained a Franciscan priest in the centuries since the Spanish colonization. Still a boy,…

  • Demystifying Cosmopolitan: Five Critical Methods

    Open Access•Ellen Mccracken•ARTICLE•The Journal of Popular Culture•1982•Cited by: 1

  • Demystifying Cosmopolitan: Five Critical Methods

    Open Access•Ellen Mccracken•ARTICLE•The Journal of Popular Culture•1982•Cited by: 1

  • Chicano Theater: Themes and Forms

    Ellen Mccracken, Jorge Huerta et al.•ARTICLE•Hispania•1983

  • Juegos sicologicos en la narrativa de Vargas Llosa

    Ellen Mccracken, Maria Luisa Rodriguez Lee•ARTICLE•Hispania•1985

  • Decoding Women’s Magazines: From Mademoiselle to Ms

    Open Access•Ellen Mccracken•BOOK•Decoding Women's Magazines•1993

    A study of the more than fifty US and International glossy publications for women. This analysis focuses on the strategies by which the commercial structure shapes the cultural content, the magazines'

  • Desire and Consumption: Women's Magazines in the 1980s

    Open Access•Amy Erdman Farrell, Ellen Mccracken•ARTICLE•American Quarterly•1994

  • Subculture, Parody, and the Carnivalesque: A Bakhtinian Reading of Mary Helen Ponce's The Wedding

    Ellen Mccracken•ARTICLE•MELUS Multi-Ethnic Literature of…•1998

    Subculture, Parody, and the Carnivalesque: A Bakhtinian Reading of Mary Helen Ponce’s The Wedding Get access Ellen McCracken Ellen McCracken University of California, Santa Barbara Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 23, Issue 1, March 1998, Pages 117–131, https://doi.org/10.2307/467767 Published: 01 March 1998

  • New Latina Narrative: The Feminine Space of Postmodern Ethnicity

    Ellen Mccracken•BOOK•New Latina Narrative•1999

  • New Latina Narrative: The Feminine Space of Postmodern Ethnicity

    María Alicia Garza, Ellen Mccracken•ARTICLE•Rocky Mountain Review of Language…•2000

    During the last two decades of the twentieth century, U.S. Latina writers have made a profound impact on American letters with fiction in both mainstream and regional venues. Following on the heels of this vibrant and growing body of work, New Latina Narrative offers the first in-depth synthesis and literary analysis of this transethnic genre. Focusing on the dynamic writing published in the 1980s and 1990s by Mexican American, Puerto Rican, Cuba…

  • Argentina-s. Ricardo Piglia dialoga con la generacion del '37 en la discontinuidad

    Ellen Mccracken, Laura Demaría•ARTICLE•Hispanic Review•2002•Cited by: 3

    Ricardo Piglia dialoga con la generacion del '37 en la discontinuidad. By Laura Demaria. Buenos Aires: Corregidor, 1999. 206 pages. Dialogue and discontinuity, the key connecting words of Laura Demaria's title, succinctly reveal her thesis about the work of Ricardo Piglia, one of Argentina's most innovative and groundbreaking contemporary writers. In his complex fiction, Piglia carries on a textual dialogue with Argentina's foundational nineteent…

  • The Author in the Office: Narrative Writing in Twentieth‐Century Argentina and Uruguay ‐ by Jordan, P. R

    Open Access•Ellen Mccracken•ARTICLE•Bulletin of Latin American Research•2009•References: 1

  • Fray Angélico Chávez and the Colonial Southwest: Historiography and Rematerialization

    Open Access•Ellen Mccracken•ARTICLE•The Americas A Quarterly Review…•2015•Cited by: 1

    In the summer of 1924, townspeople recount, 14-year-old Manuel Chávez built models of colonial New Mexico mission churches in the dirt outside Our Lady of Guadalupe Church in the village of Peña Blanca. He was staying with the Franciscan friars after expressing his desire to enter the seminary, where he would become the first native New Mexico Hispano to be ordained a Franciscan priest in the centuries since the Spanish colonization. Still a boy,…

Art (9 works) · Sociology (6 works) · History (5 works) · Latin American and Latino Studies (5 works) · Literature (4 works) · Philosophy (4 works) · Comparative Literary Analysis and Criticism (3 works) · Computer Science (3 works) · Gender Studies (3 works) · History (3 works)

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