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Maurice Charney

Biographic Data

ID682045
NAMEMaurice Charney
GIVEN NAMESMaurice
FAMILY NAMECharney
SIGNATURECHARNEY M
AFFILIATIONSRutgers Sexual and Reproductive Health and Rights
VERIFIEDNo
TOTAL WORKS38
TOTAL CITATIONS2
AUTHOR COUNT38
EDITOR COUNT0
FIRST PUBLICATION YEAR1950
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Style in Hamlet

    Maurice Charney•BOOK•Style in Hamlet•2015

  • Wrinkled Deep in Time

    Maurice Charney•BOOK•Wrinkled deep in time•2009

    Shakespeare was acutely aware of our intimate struggles with aging. His dramatic characters either prosper or suffer according to their relationship with maturity, and his sonnets eloquently explore time's ravaging effects. "Wrinkled deep in time" is how the queen describes herself in Antony and Cleopatra , and at the end of King Lear , there is a tragic sense that both the king and Gloucester have acquired a wisdom they otherwise lacked at the b…

  • Shakespeare and Laughter

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•2009

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Searching Shakespeare

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•2004

  • Shakespeare's Noise

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•2002

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • English Drama 1586-1642

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1999

    G. K. Hunter, English Drama 1586-1642: The Age of Shakespeare (The Oxford History of English Literature, VI.) Oxford: Clarendon Press, 1997. xiii + 623 pp. $65. ISBN: 0-19-812213-6. - John D. Cox and David Scott Kastan, eds., A New History of Early English Drama New York: Columbia University Press, 1997. ix + 565 pp. $49.50. ISBN: 0-231-10242-9. - Volume 52 Issue 2

  • Painted Faces on the Renaissance Stage

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1997

    Annette Drew-Bear. Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions. Lewisburg, PA: Bucknell University Press, 1994. 6 pls. + 139 pp. $29.50. - Volume 50 Issue 1

  • Hamlet's Perfection

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1997

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare, Harsnett, and the Devils of Denham

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1996

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • William Shakespeare

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1996

    E. Pearlman. William Shakespeare: The History Plays. (Twayne's English Authors Series.) New York: Twayne Publishers, 1992. xi + 192 pp. $22.95. - Richard Hillman. William Shakespeare: The Problem Plays. (Twayne's English Authors Series.) New York: Twayne Publishers, 1993. xiv + 185 pp. $22.95. - Volume 49 Issue 1

  • Woody Allen's non sequiturs

    Maurice Charney•ARTICLE•Humor - International Journal of…•1995

  • Shakespeare and Classical Tragedy

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1995

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Suffocating Mothers

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Dramatic Works in the Beaumont and Fletcher Canon, Vol. VIII

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare's Dramatic Transactions

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1993

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • "Bad" Shakespeare

    Cynthia Marshall, Maurice Charney•ARTICLE•South Atlantic Review•1990

  • Stage Images and Traditions

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Patriarchy of Shakespeare's Comedies

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Creating Elizabethan Tragedy

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare's Art of Orchestration

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1986

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Devil's Party

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1986

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Marlowe's "Dr. Faustus" and "Tamburlaine

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1985

    Johannes H. Birringer. Marlowe's “Dr. Faustus” and “Tamburlaine“: Theological and Theatrical Perspectives. (Trierer Studien zur Literatur, 10.) Frankfurt am Main-Bern-New York: Peter Lang, 1984. 402 pp. SF.77. - Volume 38 Issue 1

  • To Be and Not to Be

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Sexual Fiction

    Frances Bartkowski, Maurice Charney•ARTICLE•The Bulletin of the Midwest…•1982

  • Jonson and Elizabethan Comedy

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1981

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Next
  • James Baldwin's Quarrel with Richard Wright

    Open Access•Maurice Charney•ARTICLE•American Quarterly•1963•Cited by: 2

  • A Bibliographical Study of Hopkins Criticism, 1918-1949

    Maurice Charney•ARTICLE•Thought•1950

  • The Dramatic Use of Imagery in Shakespeare's Coriolanus

    Maurice Charney•ARTICLE•ELH•1956

    Coriolanus is the last of Shakespeare's tragedies and it is also the one perhaps least often discussed or performed. In contrast with Antony and Cleopatra of a year or so earlier,' it seems a fairly cold and unpoetic work and suggests an exhaustion of Shakespeare's powers after a period of great tragedies. WTith the exception of such critics as Granville-Barker and G. Wilson Knight, this interpretation of Coriolanus has been the dominant one. The…

  • Shakespeare's Style in Julius Caesar and Antony and Cleopatra

    Maurice Charney•ARTICLE•ELH•1959

    At least since the time of Lamb's comments on the actability of King Lear, critics have been somewhat embarrassed by Shakespeare in the The theater smacks of mere entertainment and one of the most cutting judgments of a serious play is to pass it off as good theater. The recent Broadway production of Anastasia left some viewers with a secret sense of shame at being so affected by an obviously contrived recognition scene. This long-standing confli…

  • Shakespeare's Roman Plays

    Maurice Charney•BOOK•Shakespeare's Roman Plays•1961

  • Hawthorne and the Gothic Style

    Maurice Charney•ARTICLE•The New England Quarterly•1961

    GOTHIC architecture was the only art which could rouse in Hawthorne an energetic, even ecstatic, enthusiasm. With painting he struggled hard to develop his taste beyond the life-like representations of cabbages, onions, turnips, cauliflower, and peas'l which so fascinated him in the Dutch masters. never could properly value the esthetic and formal qualities of a work of art, and tended to prefer either very exact reproductions of reality or else …

  • James Baldwin's Quarrel with Richard Wright

    Open Access•Maurice Charney•ARTICLE•American Quarterly•1963•Cited by: 2

  • Hawthorne Centenary Essays

    Maurice Charney, Roy Harvey Pearce•ARTICLE•The New England Quarterly•1965

  • Hamlet Without Words

    Maurice Charney•ARTICLE•ELH•1965

  • Shakespeare and Decorum

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1974

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare's Rome

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1977

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Language of Madwomen in Shakespeare and His Fellow Dramatists

    Maurice Charney, Hanna Charney•ARTICLE•Signs: Journal of Women in…•1977

  • Aspects of Macbeth

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1979

    Aspects of Macbeth. Ed. Kenneth Muir and Philip Edwards. New York: Cambridge University Press, 1977. ix+86 pp. $13.95. - Aspects of Othello. Ed. Kenneth Muir and Philip Edwards. New York: Cambridge University Press, 1977. x+110 pp. $13.95. - Volume 32 Issue 3

  • New Readings vs. Old Plays

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1980

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Jonson and Elizabethan Comedy

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1981

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Sexual Fiction

    Frances Bartkowski, Maurice Charney•ARTICLE•The Bulletin of the Midwest…•1982

  • To Be and Not to Be

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Marlowe's "Dr. Faustus" and "Tamburlaine

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1985

    Johannes H. Birringer. Marlowe's “Dr. Faustus” and “Tamburlaine“: Theological and Theatrical Perspectives. (Trierer Studien zur Literatur, 10.) Frankfurt am Main-Bern-New York: Peter Lang, 1984. 402 pp. SF.77. - Volume 38 Issue 1

  • Shakespeare's Art of Orchestration

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1986

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Devil's Party

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1986

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Patriarchy of Shakespeare's Comedies

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Creating Elizabethan Tragedy

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Stage Images and Traditions

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • "Bad" Shakespeare

    Cynthia Marshall, Maurice Charney•ARTICLE•South Atlantic Review•1990

  • Shakespeare's Dramatic Transactions

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1993

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Suffocating Mothers

    Open Access•Maurice Charney•ARTICLE•Renaissance Quarterly•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (32 works) · History (23 works) · History (22 works) · Shakespeare, Adaptation, and Literary Criticism (22 works) · Literature (21 works) · Sociology (14 works) · Philosophy (13 works) · Philosophy (13 works) · Media studies (12 works) · Art history (10 works)

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