Horst Frenz
Biographic Data
| ID | 682183 |
|---|---|
| NAME | Horst Frenz |
| GIVEN NAMES | Horst |
| FAMILY NAME | Frenz |
| SIGNATURE | FRENZ H |
| VERIFIED | No |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1944 |
| LATEST PUBLICATION YEAR | 1985 |
| H-INDEX | 1 |
Eugene O'Neill's Critics, Voices from Abroad
O Neill s plays have been translated into practically all major languages and have received remarkable performances many countries. His impact has been such that since 1922, according to Tuck, there has been an outpouring of opinions about the man, his experimental work, his universal qualities, his philosophical probings, his language, his dramatic method, and his forerunners the theater, American as well as foreign. As these 30 essays indicate,…
Three Decades of Comparative Literature: Some Random Thoughts
Amerikanische Erzahlungen von Hawthorne bis Salinger: Interpretationen
Wegbereiter Moderner Amerikanischer Lyrik: Interpretations-und Rezeptionsstudien zu Emily Dickinson und William Carlos Williams
Die Erlosungsthematik bei Eugene O'Neill: Eine Analyse der Strukturen im Spatwerk
"More Shakespeare and Less Aeschylus in Eugene O'Neill's "Mourning Becomes Electra
Comparative Literature: Method and Perspective
"Die Funktion Des Ich-Erzahlers in Herman Melvilles Roman "Moby-Dick
Asia and the Humanities; Papers Presented at the Second Conference on Oriental-Western Literary and Cultural Relations Held at Indian University
Indiana University Conference on Oriental-Western Literary Relations
Indiana University Conference on Oriental-Western Literary Relations
Indiana University Conference on Oriental-Western Literary Relations
German Criticism of American Drama
THE reception of American plays in Germany in the five years immediately following the last war, a period of occupation and political transition, presents an interesting aspect of the literary and cultural exchange between two nations. The Nazi regime and the war had deprived the legitimate German theater of its contacts with the outside world. With the end of hostilities, American plays, which had found increasing favor with the German producers…
Whitman and Rolleston: A Correspondence
The Interchange of Plays between London and New York, 1910-1939: A Study in Relative Audience Response
Eugene O'Neill: The Man and his Plays
Revolution in American Drama
Anderson and Stalling's What Price Glory? And Carl Zuckmayer's Rivalen
Bartley Campbell's My Partner in Berlin
IN THE recent edition of Bartley Campbell's plays1 Professor Napier Wilt has furnished large number of reviews showing the popularity of this playwright at home and abroad. In an attempt to establish the facts pertaining to the production of American plays in Europe, I have come across various newspaper announcements that give additional information concerning the performance of Campbell's My Partner (Mein Kumpan) at the Residenz-Theater in Berli…
Bartley Campbell's My Partner in Berlin
IN THE recent edition of Bartley Campbell's plays1 Professor Napier Wilt has furnished large number of reviews showing the popularity of this playwright at home and abroad. In an attempt to establish the facts pertaining to the production of American plays in Europe, I have come across various newspaper announcements that give additional information concerning the performance of Campbell's My Partner (Mein Kumpan) at the Residenz-Theater in Berli…
Anderson and Stalling's What Price Glory? And Carl Zuckmayer's Rivalen
Revolution in American Drama
Eugene O'Neill: The Man and his Plays
The Interchange of Plays between London and New York, 1910-1939: A Study in Relative Audience Response
Whitman and Rolleston: A Correspondence
German Criticism of American Drama
THE reception of American plays in Germany in the five years immediately following the last war, a period of occupation and political transition, presents an interesting aspect of the literary and cultural exchange between two nations. The Nazi regime and the war had deprived the legitimate German theater of its contacts with the outside world. With the end of hostilities, American plays, which had found increasing favor with the German producers…
Indiana University Conference on Oriental-Western Literary Relations
Indiana University Conference on Oriental-Western Literary Relations
Indiana University Conference on Oriental-Western Literary Relations
Asia and the Humanities; Papers Presented at the Second Conference on Oriental-Western Literary and Cultural Relations Held at Indian University
"Die Funktion Des Ich-Erzahlers in Herman Melvilles Roman "Moby-Dick
Comparative Literature: Method and Perspective
"More Shakespeare and Less Aeschylus in Eugene O'Neill's "Mourning Becomes Electra
Die Erlosungsthematik bei Eugene O'Neill: Eine Analyse der Strukturen im Spatwerk
Amerikanische Erzahlungen von Hawthorne bis Salinger: Interpretationen
Wegbereiter Moderner Amerikanischer Lyrik: Interpretations-und Rezeptionsstudien zu Emily Dickinson und William Carlos Williams
Three Decades of Comparative Literature: Some Random Thoughts
Eugene O'Neill's Critics, Voices from Abroad
O Neill s plays have been translated into practically all major languages and have received remarkable performances many countries. His impact has been such that since 1922, according to Tuck, there has been an outpouring of opinions about the man, his experimental work, his universal qualities, his philosophical probings, his language, his dramatic method, and his forerunners the theater, American as well as foreign. As these 30 essays indicate,…
Art (14 works) · History (10 works) · Philosophy (8 works) · Literature (6 works) · Cultural Studies and Interdisciplinary Research (5 works) · Media studies (5 works) · Sociology (5 works) · Theater, Performance, and Music History (4 works) · Art history (3 works) · Computer Science (3 works)