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Thomas A L Munro

Biographic Data

ID6824923
NAMEThomas A L Munro
GIVEN NAMESThomas A L
FAMILY NAMEMunro
SIGNATUREMUNRO T A L
AFFILIATIONSYale University
ORCID0009-0003-8650-6861
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Fragmented Homers

    Open Access•Thomas A L Munro•ARTICLE•Classical Receptions Journal•2025•References: 9

    This paper compares three modern poets and the way in which their adaptations of the Iliad fragment their source text, providing a survey of the strategies used in Christopher Logue's War Music, Michael Longley's Homeric poetry (particularly in The Ghost Orchid), and Alice Oswald's Memorial. The paper concludes that the general similarity between their approaches can be attributed to attitudes about the fragment which developed among the Modernis…

  • Catullus, Hesiod, and the Muses

    Thomas A L Munro•ARTICLE•Classical Philology•2024

    In this paper I argue that Catullus 32 constitutes a sustained engagement with Hesiod’s Theogony. In addition to the humor previously identified by scholars, the poem also contains an elaborate intertextual joke. I base my argument on the evidence of the eighth line’s exaggerated sexual boast, the oft-disputed name of the addressee, the poem’s strange logic of invitation, and Catullus’ self-presentation in the poem’s closing lines. I conclude tha…

No prominent works on this page.

  • Catullus, Hesiod, and the Muses

    Thomas A L Munro•ARTICLE•Classical Philology•2024

    In this paper I argue that Catullus 32 constitutes a sustained engagement with Hesiod’s Theogony. In addition to the humor previously identified by scholars, the poem also contains an elaborate intertextual joke. I base my argument on the evidence of the eighth line’s exaggerated sexual boast, the oft-disputed name of the addressee, the poem’s strange logic of invitation, and Catullus’ self-presentation in the poem’s closing lines. I conclude tha…

  • Fragmented Homers

    Open Access•Thomas A L Munro•ARTICLE•Classical Receptions Journal•2025•References: 9

    This paper compares three modern poets and the way in which their adaptations of the Iliad fragment their source text, providing a survey of the strategies used in Christopher Logue's War Music, Michael Longley's Homeric poetry (particularly in The Ghost Orchid), and Alice Oswald's Memorial. The paper concludes that the general similarity between their approaches can be attributed to attitudes about the fragment which developed among the Modernis…

Classical Antiquity Studies (2 works) · Poetry (2 works) · Argument (complex analysis) (1 work) · Art (1 work) · Classical Studies and Philology (1 work) · Context (archaeology (1 work) · Couplet (1 work) · First world war (1 work) · Fragment (logic (1 work) · Fragmentation (computing (1 work)

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