Marie Agatha Ozah
Biographic Data
| ID | 682849 |
|---|---|
| NAME | Marie Agatha Ozah |
| GIVEN NAMES | Marie Agatha |
| FAMILY NAME | Ozah |
| SIGNATURE | OZAH M A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Moninkim: A Symbiotic Performance of Ritual, Music, and Dance by the Ejagham People of Nigeria and Cameroon
Among the Ejagham of southeastern Nigeria and Southwestern Cameroon, the performance of the nkim or moninkim ritual marks the passage of a young girl to womanhood. This transition begins when the girl-moninkim-is secluded from the general community and placed in the nju nkim (fattening house or fattening room) where she is pampered, instructed in the Ejagham values, and taught how to dance the nkim dance. This article discusses the ways in which …
Fela Kuti: Music Is the Weapon. 1982. Directed by Stéphane Tchal-Gadjieff and Jean Jacques Flori. In English. 53 minutes, with 40 minutes of additional concert footage. Colour DVD. Executive producer …
Fela Kuti: Music Is the Weapon. 1982. Directed by Stéphane Tchal-Gadjieff and Jean Jacques Flori. In English. 53 minutes, with 40 minutes of additional concert footage. Colour DVD. Executive producer Danielle Gegauff. Reissued by Francis Kertekian in 1985. Manufactured and Distributed by Lorber HT Digital 2009. http://www.kino.com. - Volume 44
Can We Dance Together? Gender and Performance Space Discourse in Égwú Àmàlà of the Ogbaru of Nigeria
This performance study is situated within the twentieth century and into the present, a period characterized by a number of sociohistorical developments. This epoch, as noted by Oyewumi (2004:1), "witnessed a host of social and cultural transformations." During this period, gender appeared as one of the determining factors for categorizing and analysing societies. Given that gender is fundamentally a sociocultural construct, its discursive format…
Moninkim: A Symbiotic Performance of Ritual, Music, and Dance by the Ejagham People of Nigeria and Cameroon
Among the Ejagham of southeastern Nigeria and Southwestern Cameroon, the performance of the nkim or moninkim ritual marks the passage of a young girl to womanhood. This transition begins when the girl-moninkim-is secluded from the general community and placed in the nju nkim (fattening house or fattening room) where she is pampered, instructed in the Ejagham values, and taught how to dance the nkim dance. This article discusses the ways in which …
Can We Dance Together? Gender and Performance Space Discourse in Égwú Àmàlà of the Ogbaru of Nigeria
This performance study is situated within the twentieth century and into the present, a period characterized by a number of sociohistorical developments. This epoch, as noted by Oyewumi (2004:1), "witnessed a host of social and cultural transformations." During this period, gender appeared as one of the determining factors for categorizing and analysing societies. Given that gender is fundamentally a sociocultural construct, its discursive format…
Can We Dance Together? Gender and Performance Space Discourse in Égwú Àmàlà of the Ogbaru of Nigeria
This performance study is situated within the twentieth century and into the present, a period characterized by a number of sociohistorical developments. This epoch, as noted by Oyewumi (2004:1), "witnessed a host of social and cultural transformations." During this period, gender appeared as one of the determining factors for categorizing and analysing societies. Given that gender is fundamentally a sociocultural construct, its discursive format…
Fela Kuti: Music Is the Weapon. 1982. Directed by Stéphane Tchal-Gadjieff and Jean Jacques Flori. In English. 53 minutes, with 40 minutes of additional concert footage. Colour DVD. Executive producer …
Fela Kuti: Music Is the Weapon. 1982. Directed by Stéphane Tchal-Gadjieff and Jean Jacques Flori. In English. 53 minutes, with 40 minutes of additional concert footage. Colour DVD. Executive producer Danielle Gegauff. Reissued by Francis Kertekian in 1985. Manufactured and Distributed by Lorber HT Digital 2009. http://www.kino.com. - Volume 44
Moninkim: A Symbiotic Performance of Ritual, Music, and Dance by the Ejagham People of Nigeria and Cameroon
Among the Ejagham of southeastern Nigeria and Southwestern Cameroon, the performance of the nkim or moninkim ritual marks the passage of a young girl to womanhood. This transition begins when the girl-moninkim-is secluded from the general community and placed in the nju nkim (fattening house or fattening room) where she is pampered, instructed in the Ejagham values, and taught how to dance the nkim dance. This article discusses the ways in which …
Art (3 works) · Visual arts (3 works) · Anthropology (2 works) · Dance (2 works) · Gender Studies (2 works) · Sociology (2 works) · Aesthetics (1 works) · African history and culture studies (1 works) · African studies and sociopolitical issues (1 works) · Art history (1 works)