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Scott V Linford

Biographic Data

ID682870
NAMEScott V Linford
GIVEN NAMESScott V
FAMILY NAMELinford
SIGNATURELINFORD S V
AFFILIATIONSUniversity of Cincinnati
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Songs of Senegalese Rain Priestess Aline Sitoé Diatta: Collaborative Musicking for Audible Futures

    Scott V Linford, Scott Linford•ARTICLE•Ethnomusicology•2026•References: 25

    Aline Sitoé Diatta (1920–1944) was a leader in the indigenous religion of the Jola people based in the Casamance region of Senegal. In 1942, a time of drought and intensified colonial extraction, she founded a new shrine that brought sorely needed rains. She also advocated for religious reforms to counter the influence of Christianity, recenter human relationships with the Jola creator Emite, and promote sustenance rice-farming in place of French…

  • Banjo Romantika: American Bluegrass Music and the Czech Imagination

    Scott V Linford•ARTICLE•Ethnomusicology•2019

  • Storiesl of Differentiation and Association: Narrative Identity and the JolaEkonting

    Open Access•Scott V Linford•ARTICLE•Yearbook for Traditional Music•2016•Cited by: 1•References: 11

    Traditional musical instruments make useful symbols of identity because they are often unique to a particular social group and therefore serve as markers of distinction from other groups. This is true of theekonting(see figure 1), a three-stringed plucked lute that is played almost exclusively by people of the Jola ethnic group in Senegal, The Gambia, and Guinea-Bissau. One player of theekonting(pl.sikonting)describes the instrument much like an …

  • Storiesl of Differentiation and Association: Narrative Identity and the JolaEkonting

    Open Access•Scott V Linford•ARTICLE•Yearbook for Traditional Music•2016•Cited by: 1•References: 11

    Traditional musical instruments make useful symbols of identity because they are often unique to a particular social group and therefore serve as markers of distinction from other groups. This is true of theekonting(see figure 1), a three-stringed plucked lute that is played almost exclusively by people of the Jola ethnic group in Senegal, The Gambia, and Guinea-Bissau. One player of theekonting(pl.sikonting)describes the instrument much like an …

  • Storiesl of Differentiation and Association: Narrative Identity and the JolaEkonting

    Open Access•Scott V Linford•ARTICLE•Yearbook for Traditional Music•2016•Cited by: 1•References: 11

    Traditional musical instruments make useful symbols of identity because they are often unique to a particular social group and therefore serve as markers of distinction from other groups. This is true of theekonting(see figure 1), a three-stringed plucked lute that is played almost exclusively by people of the Jola ethnic group in Senegal, The Gambia, and Guinea-Bissau. One player of theekonting(pl.sikonting)describes the instrument much like an …

  • Banjo Romantika: American Bluegrass Music and the Czech Imagination

    Scott V Linford•ARTICLE•Ethnomusicology•2019

  • Songs of Senegalese Rain Priestess Aline Sitoé Diatta: Collaborative Musicking for Audible Futures

    Scott V Linford, Scott Linford•ARTICLE•Ethnomusicology•2026•References: 25

    Aline Sitoé Diatta (1920–1944) was a leader in the indigenous religion of the Jola people based in the Casamance region of Senegal. In 1942, a time of drought and intensified colonial extraction, she founded a new shrine that brought sorely needed rains. She also advocated for religious reforms to counter the influence of Christianity, recenter human relationships with the Jola creator Emite, and promote sustenance rice-farming in place of French…

Art (2 works) · Diverse Musicological Studies (2 works) · Music History and Culture (2 works) · Musical (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 works) · Agency (philosophy (1 works) · Anthropological Studies and Insights (1 works) · Archaeology and Rock Art Studies (1 works)

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