Yulia A Dreyzis
Biographic Data
| ID | 6830187 |
|---|---|
| NAME | Yulia A Dreyzis |
| GIVEN NAMES | Yulia A |
| FAMILY NAME | Dreyzis |
| SIGNATURE | DREYZIS Y A |
| AFFILIATIONS | Lomonosov Moscow State University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The Revival of Poetry Declamation in Contemporary China
The paper presents a description of the contemporary practice of poetry declamation in one of the literary communities of Guangzhou, among the poets who associate themselves with the tradition of the informal Fenchunguan group. The members of the group are authors and performers of classical poetry. They take an active part in the movement for the revival of traditional declamatory practices which were widely popular until the first decades of th…
Written at the Service of Oral
The article describes the history of the Topolect Literature Movement (TLM), which developed in Hong Kong in the 1940s, and analyzes its typological features. TLM was one of the most radical projects implemented to replace writing in the national standard language based on northern dialects with writing in the local language variety (Cantonese / Yue). This variety was a non-northern idiom that performed the function of the L-language in diglossia…
Performative Strategies in Contemporary Chinese Avant-garde Poetry
The paper presents an attempt to explore the problem of mediality in Chinese poetry of the last thirty years. New Chinese poetry is particularly susceptible to the influence of the latest concepts of modern art and now more than ever needs a clear contextualization in relation to other forms of culture and avant-garde practice. This can be achieved through applying an analysis paradigm for performative word art developed by Dr. Tomáš Glanc in the…
No prominent works on this page.
Written at the Service of Oral
The article describes the history of the Topolect Literature Movement (TLM), which developed in Hong Kong in the 1940s, and analyzes its typological features. TLM was one of the most radical projects implemented to replace writing in the national standard language based on northern dialects with writing in the local language variety (Cantonese / Yue). This variety was a non-northern idiom that performed the function of the L-language in diglossia…
Performative Strategies in Contemporary Chinese Avant-garde Poetry
The paper presents an attempt to explore the problem of mediality in Chinese poetry of the last thirty years. New Chinese poetry is particularly susceptible to the influence of the latest concepts of modern art and now more than ever needs a clear contextualization in relation to other forms of culture and avant-garde practice. This can be achieved through applying an analysis paradigm for performative word art developed by Dr. Tomáš Glanc in the…
The Revival of Poetry Declamation in Contemporary China
The paper presents a description of the contemporary practice of poetry declamation in one of the literary communities of Guangzhou, among the poets who associate themselves with the tradition of the informal Fenchunguan group. The members of the group are authors and performers of classical poetry. They take an active part in the movement for the revival of traditional declamatory practices which were widely popular until the first decades of th…
Art (3 works) · Computer Science (3 works) · History (3 works) · Linguistics (3 works) · Literature (3 works) · Poetry (3 works) · Sociology (3 works) · History (2 works) · Philosophy (2 works) · Philosophy (2 works)