Veronika B Zuseva-Özkan
Biographic Data
| ID | 6830478 |
|---|---|
| NAME | Veronika B Zuseva-Özkan |
| GIVEN NAMES | Veronika B |
| FAMILY NAME | Zuseva-Özkan |
| SIGNATURE | ZUSEVA-ÖZKAN V B |
| AFFILIATIONS | Russian Academy of Sciences |
| ORCID | 0000-0001-9537-108X |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Shrouded Woman (1938) by María Luisa Bombal and the Features of the Female Posthumous Narration
The article considers the first version of the novella The Shrouded Woman (La amortajada, 1938) by Chilean woman writer María Luisa Bombal (1910–1980). The novella is examined in the context of the literary-theoretical problem of posthumous narration (or narration from beyond the grave), i.e., the narration of a character who, in the conventional reality of the work’s inner world, is represented as a dead person. A close reading of the novella pr…
A Journey from This World to the Next, etc. (1743) by Henry Fielding
The article considers the unfinished novel by Henry Fielding, A Journey from This World to the Next, etc. (1743), as a stage in the historical poetics of posthumous narration, i. e., the narration of a character who, in the conventional reality of the inner world of the work, is represented as a dead person. This curious phenomenon, most noticeable in the 20th- and 21st-century literature, has been understudied in the diachronic aspect from the p…
The black woman warrior in the “Mirror of Virgins,” a miniature play by Lyubov Stolitsa (1917)
The paper considers how the heroic, romanticized, often tragic image of the warrior woman received parodic coverage in the “Mirror of Virgins” (1917), a miniature play by Lyubov Stolitsa. The comic representation of the female warrior in this play is an exceptional instance in the realm of Russian Modernist literature. In addition, to the author’s knowledge, it is the only image of a black female warrior and the only one found in a text written f…
Byzantine Satirical Dialogue as a Stage in the Historical Poetics of the Posthumous Narration
The article considers two Byzantine satires, describing the descent into Hades (“Timarion” and “Mazaris’s Journey”), as a stage in the historical poetics of posthumous narration, or the narration from beyond the grave, i. e. the narration of a character who, in the conventional reality of the inner world of the work, is represented as a dead character. This paradoxical phenomenon, which is widespread in the literature of the 20th and 21st centuri…
[Review
[Review
Mikhail Kuzmin’s Short Stories with the Female Voice
Purpose . The article aims to study the short stories and novellas by Mikhail Kuzmin written in a woman’s voice in order to show how the writer constructs femininity. Results . It is established that in the few works of Kuzmin which are written in the female voice the diary form prevails, contributing to self-revelation, and in most cases, self-exposure of the heroines. According to Kuzmin, the characteristic features of the females are the tende…
The masculine “I” in the poetry of Mariya Levberg
The paper introduces the poetry of a forgotten author of the Silver Age - Mariya Levberg, whose poetical texts always feature the masculine “I”. The peculiarities of constructing the lyrical subject and the lyrical world in Levberg’s poetry are analyzed in relation to the problem of constructing gender in Modernist literature in general. The formation of Levberg’s “poetical transvestism” and conscious movement towards poetry and a lyrical subject…
[Review
“Chevalier’s Epee”, “Victor” and “Actor”
The article introduces the unpublished plays by Maria Evgenievna Levberg (1892–1934) “Victor” and “Actor” (1926). A hypothesis is put forward about the dating of the “Victor” (c. 1914–1915), based on comparison of this “dramatic study” with the published “dramatic presto” by Levberg “Stones of Death” (1915). The plot and motif complex and the system of images, which are common for “Victor” and “Actor”, as well as for the published drama by Levber…
Masculine Mask of Female Poetry
The article deals with the masculine personas in the poetry of female authors Z.N. Gippius and M.Ye. Levberg. The article examines possible reasons for adopting a masculine mask, and the desire to acquire subjectivity appears to be the most likely among them. This subjectivity within the frame of the masculine gender order of Modernism could be attained only through the appropriation of the male voice. The article discusses critical reception of …
The Situation “A Woman Among Men” in the Works by M. Gorky and Ye. Zamyatin
The article compares M. Gorky’s short story “Twenty-six and One” (1899) and the screenplay (synopsis) by Ye. Zamyatin “Eleven and One” (c. 1929) in the aspect of plot and system of motifs. The plot “a woman among men” (borrowed by Zamyatin from Gorky), while demonstrating an invariant core, undergoes a number of modifications. The reason lies not so much in the temporal distance between the story and the screenplay as in the genre conventions of …
“Female Rebellion” in Anna Barkova’s Play Nastasya Kostyor (1923)
The article examines the figure of the woman warrior and the theme of the “female rebellion” in the hitherto understudied play by Anna Barkova Nastasya Kostyor (1923) in the context of gender studies. Characters, motifs, and the play’s plot are placed against the background of the Barkova’s early work that heavily focused on the “woman question” and invented “new” femininity drawing from the archetypal image of the female warrior in literature an…
Prefix “Neo” in the Cultural and Scientific Reflection
(, , , , , .). , , (. ), (. ), (. ), (. ), (. )
The «Penthesilea» triptych and the image of the woman warrior in the works of Sophia Parnok
alter ego. , , . , . , , ( ), - , . . , .
No prominent works on this page.
The «Penthesilea» triptych and the image of the woman warrior in the works of Sophia Parnok
alter ego. , , . , . , , ( ), - , . . , .
Prefix “Neo” in the Cultural and Scientific Reflection
(, , , , , .). , , (. ), (. ), (. ), (. ), (. )
“Female Rebellion” in Anna Barkova’s Play Nastasya Kostyor (1923)
The article examines the figure of the woman warrior and the theme of the “female rebellion” in the hitherto understudied play by Anna Barkova Nastasya Kostyor (1923) in the context of gender studies. Characters, motifs, and the play’s plot are placed against the background of the Barkova’s early work that heavily focused on the “woman question” and invented “new” femininity drawing from the archetypal image of the female warrior in literature an…
The masculine “I” in the poetry of Mariya Levberg
The paper introduces the poetry of a forgotten author of the Silver Age - Mariya Levberg, whose poetical texts always feature the masculine “I”. The peculiarities of constructing the lyrical subject and the lyrical world in Levberg’s poetry are analyzed in relation to the problem of constructing gender in Modernist literature in general. The formation of Levberg’s “poetical transvestism” and conscious movement towards poetry and a lyrical subject…
[Review
“Chevalier’s Epee”, “Victor” and “Actor”
The article introduces the unpublished plays by Maria Evgenievna Levberg (1892–1934) “Victor” and “Actor” (1926). A hypothesis is put forward about the dating of the “Victor” (c. 1914–1915), based on comparison of this “dramatic study” with the published “dramatic presto” by Levberg “Stones of Death” (1915). The plot and motif complex and the system of images, which are common for “Victor” and “Actor”, as well as for the published drama by Levber…
Masculine Mask of Female Poetry
The article deals with the masculine personas in the poetry of female authors Z.N. Gippius and M.Ye. Levberg. The article examines possible reasons for adopting a masculine mask, and the desire to acquire subjectivity appears to be the most likely among them. This subjectivity within the frame of the masculine gender order of Modernism could be attained only through the appropriation of the male voice. The article discusses critical reception of …
The Situation “A Woman Among Men” in the Works by M. Gorky and Ye. Zamyatin
The article compares M. Gorky’s short story “Twenty-six and One” (1899) and the screenplay (synopsis) by Ye. Zamyatin “Eleven and One” (c. 1929) in the aspect of plot and system of motifs. The plot “a woman among men” (borrowed by Zamyatin from Gorky), while demonstrating an invariant core, undergoes a number of modifications. The reason lies not so much in the temporal distance between the story and the screenplay as in the genre conventions of …
[Review
Mikhail Kuzmin’s Short Stories with the Female Voice
Purpose . The article aims to study the short stories and novellas by Mikhail Kuzmin written in a woman’s voice in order to show how the writer constructs femininity. Results . It is established that in the few works of Kuzmin which are written in the female voice the diary form prevails, contributing to self-revelation, and in most cases, self-exposure of the heroines. According to Kuzmin, the characteristic features of the females are the tende…
The black woman warrior in the “Mirror of Virgins,” a miniature play by Lyubov Stolitsa (1917)
The paper considers how the heroic, romanticized, often tragic image of the warrior woman received parodic coverage in the “Mirror of Virgins” (1917), a miniature play by Lyubov Stolitsa. The comic representation of the female warrior in this play is an exceptional instance in the realm of Russian Modernist literature. In addition, to the author’s knowledge, it is the only image of a black female warrior and the only one found in a text written f…
Byzantine Satirical Dialogue as a Stage in the Historical Poetics of the Posthumous Narration
The article considers two Byzantine satires, describing the descent into Hades (“Timarion” and “Mazaris’s Journey”), as a stage in the historical poetics of posthumous narration, or the narration from beyond the grave, i. e. the narration of a character who, in the conventional reality of the inner world of the work, is represented as a dead character. This paradoxical phenomenon, which is widespread in the literature of the 20th and 21st centuri…
[Review
A Journey from This World to the Next, etc. (1743) by Henry Fielding
The article considers the unfinished novel by Henry Fielding, A Journey from This World to the Next, etc. (1743), as a stage in the historical poetics of posthumous narration, i. e., the narration of a character who, in the conventional reality of the inner world of the work, is represented as a dead person. This curious phenomenon, most noticeable in the 20th- and 21st-century literature, has been understudied in the diachronic aspect from the p…
The Shrouded Woman (1938) by María Luisa Bombal and the Features of the Female Posthumous Narration
The article considers the first version of the novella The Shrouded Woman (La amortajada, 1938) by Chilean woman writer María Luisa Bombal (1910–1980). The novella is examined in the context of the literary-theoretical problem of posthumous narration (or narration from beyond the grave), i.e., the narration of a character who, in the conventional reality of the work’s inner world, is represented as a dead person. A close reading of the novella pr…
Art (11 works) · Literature (8 works) · Philosophy (7 works) · Psychology (6 works) · Sociology (6 works) · History (5 works) · Psychoanalysis (5 works) · Art history (4 works) · Gender Studies (4 works) · Sociopolitical Dynamics in Russia (4 works)