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Sergio Ospina Romero

Biographic Data

ID683156
NAMESergio Ospina Romero
GIVEN NAMESSergio Ospina
FAMILY NAMERomero
SIGNATUREROMERO S O
AFFILIATIONSIndiana University
ORCID0000-0002-1406-4393
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Excavated Shellac

    Sergio Ospina Romero•ARTICLE•Ethnomusicology•2026

    Excavated Shellac is a Grammy-Award-nominated compilation of one hundred sound recordings produced in several parts of the world between 1907 and 1967. It includes a set of four CDs (with twenty-five selections in each CD) and a hardcover book with commentary for each song in the collection, songs’ lyrics and their translations (for languages other than English), a wealth of photographs and other captivating illustrations contemporary to the reco…

  • Sounding Latin Music, Hearing the Americas By Jairo Moreno. Chicago

    Open Access•Sergio Ospina Romero•ARTICLE•Journal of the Society for…•2025

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Made in NuYoRico

    Sergio Ospina Romero•ARTICLE•Journal of the American…•2025

    Last year, I was asked to teach a salsa master class for nonmusic majors. I was joined by a remarkable percussionist, who managed to play congas, timbales, and clave—all at the same time—while I played montunos and several examples on the piano. Students had a good time and expressed their appreciation enthusiastically at the end. I was flabbergasted, however, by these otherwise kind words from one student: “It was so great that you taught us abo…

  • The Dawn of the Jazz Age in the Caribbean

    Open Access•Sergio Ospina Romero•ARTICLE•twentieth-century music•2023

    After 1917 the word ‘jazz’ disseminated rapidly throughout the world attaining, along the way, a multiplicity of meanings, sometimes related to musical practices from the United States, but often associated with a diverse array of things, objects, ideas, and situations in the worlds of music entertainment, dance, leisure, and fashion. In the Caribbean, this process entailed not only the constitution of jazz as a symbol of social modernity but als…

  • Jazz Worlds / World Jazz

    Sergio Ospina Romero•ARTICLE•Ethnomusicology•2020

  • Froissanrt, Villani y la escritura histórica en la Baja Edad Media

    Open Access•Sergio Ospina Romero•ARTICLE•Historia y Sociedad•2014•References: 1

    El siguiente artículo se concentra en los escritos histÃ3ricos de dos cronistas medievales: Giovanni Villani (1270?-1348) y Jean Froissart (1337-1405), con el fin de caracterizar sus modelos historiográficos, sus métodos de investigaciÃ3n y sus estrategias narrativas. A la vez que estas cuestiones nos permiten comprender mejor el ejercicio de la escritura de la historia en la Edad Media, representan antecedentes metodolÃ3gicos y epistemolÃ3gicos …

No prominent works on this page.

  • Froissanrt, Villani y la escritura histórica en la Baja Edad Media

    Open Access•Sergio Ospina Romero•ARTICLE•Historia y Sociedad•2014•References: 1

    El siguiente artículo se concentra en los escritos histÃ3ricos de dos cronistas medievales: Giovanni Villani (1270?-1348) y Jean Froissart (1337-1405), con el fin de caracterizar sus modelos historiográficos, sus métodos de investigaciÃ3n y sus estrategias narrativas. A la vez que estas cuestiones nos permiten comprender mejor el ejercicio de la escritura de la historia en la Edad Media, representan antecedentes metodolÃ3gicos y epistemolÃ3gicos …

  • Jazz Worlds / World Jazz

    Sergio Ospina Romero•ARTICLE•Ethnomusicology•2020

  • The Dawn of the Jazz Age in the Caribbean

    Open Access•Sergio Ospina Romero•ARTICLE•twentieth-century music•2023

    After 1917 the word ‘jazz’ disseminated rapidly throughout the world attaining, along the way, a multiplicity of meanings, sometimes related to musical practices from the United States, but often associated with a diverse array of things, objects, ideas, and situations in the worlds of music entertainment, dance, leisure, and fashion. In the Caribbean, this process entailed not only the constitution of jazz as a symbol of social modernity but als…

  • Sounding Latin Music, Hearing the Americas By Jairo Moreno. Chicago

    Open Access•Sergio Ospina Romero•ARTICLE•Journal of the Society for…•2025

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Made in NuYoRico

    Sergio Ospina Romero•ARTICLE•Journal of the American…•2025

    Last year, I was asked to teach a salsa master class for nonmusic majors. I was joined by a remarkable percussionist, who managed to play congas, timbales, and clave—all at the same time—while I played montunos and several examples on the piano. Students had a good time and expressed their appreciation enthusiastically at the end. I was flabbergasted, however, by these otherwise kind words from one student: “It was so great that you taught us abo…

  • Excavated Shellac

    Sergio Ospina Romero•ARTICLE•Ethnomusicology•2026

    Excavated Shellac is a Grammy-Award-nominated compilation of one hundred sound recordings produced in several parts of the world between 1907 and 1967. It includes a set of four CDs (with twenty-five selections in each CD) and a hardcover book with commentary for each song in the collection, songs’ lyrics and their translations (for languages other than English), a wealth of photographs and other captivating illustrations contemporary to the reco…

Art (4 works) · Music History and Culture (3 works) · Aesthetics (2 works) · Dance (2 works) · Diverse Musicological Studies (2 works) · Jazz (2 works) · Jazz dance (2 works) · Latin Americans (2 works) · Linguistics (2 works) · Literature (2 works)

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