Stefan Fiol
Biographic Data
| ID | 683238 |
|---|---|
| NAME | Stefan Fiol |
| GIVEN NAMES | Stefan |
| FAMILY NAME | Fiol |
| SIGNATURE | FIOL S |
| AFFILIATIONS | University of Cincinnati |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Harm-Heal: A Power Consciousness Model for Bodies of Privilege
Why do white, brahmin, and other dominant-raced and/or -casted bodies that have historically harmed Dalit, Muslim, Adivasi, Black, Indigenous, and other People of Color (DMA-BIPOC) continue to perpetrate harm? This article advances what we call the HARM-HEAL model to elucidate how power is conditioned in individual and collective bodies of privilege, and how power can be deconditioned and reconditioned to facilitate systemic change. Even as we ma…
Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobility
Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobility
Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain
Book Review| February 01 2015 Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Falu Bakrania. 2013. Durham: Duke University Press. xvi, 245 pp., photographs, figures, bibliography, index. Paper, $23.95; Kindle, $15.12. Stefan Fiol Stefan Fiol Search for other works by this author on: This Site Google Ethnomusicology …
Of Lack and Loss: Assessing Cultural and Musical Poverty in Uttarakhand
I define cultural poverty as the absence or reduction of the means to express culture; and culture, in turn, consists of the shared habits of thought, feeling, and action that bind individuals to social collectives. Any absence or reduction of the means to musical expression may be termed musical poverty, which is a subset of cultural poverty. What does it mean for an individual or a social group to not have or to lose the ability for musical exp…
All India Radio and the genealogies of folk music in Uttarakhand
While the role of All India Radio in shaping the national musical canon is well known, this article examines AIR's role in codifying and institutionalizing regional folk music, with particular focus on the Uttarakhand Himalayas. Between 1955 and 1978, hereditary and non-hereditary migrants from Garhwal and Kumaon were instrumental in making field recordings, arranging, composing, and broadcasting a variety of folk forms and styles that were made …
Articulating Regionalism through Popular Music: The Case ofNauchami Narayanain the Uttarakhand Himalayas
As regionalism has become a politically and economically advantageous policy across much of Asia, vernacular popular music has concomitantly become an important arena for articulating and codifying shared regionalist sentiment. This article explores the reasons for the emergence of subnational regionalism within post-independence India, and its more recent resurgence since the 1990s, arguing that expansion and diversification of popular music (in…
From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India
Every day central Himalayan musicians travel to studios in east Delhi to record their own renditions of rural festival dance-songs. The resulting recordings, infused with studio techniques and sonic “folk” tropes, are distributed, consumed, and reinterpreted back in the mountain villages where they may reinvigorate festival dance-song performances and perhaps eventually stimulate new studio productions. This article ethnographically traces proces…
Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals
Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals
From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India
Every day central Himalayan musicians travel to studios in east Delhi to record their own renditions of rural festival dance-songs. The resulting recordings, infused with studio techniques and sonic “folk” tropes, are distributed, consumed, and reinterpreted back in the mountain villages where they may reinvigorate festival dance-song performances and perhaps eventually stimulate new studio productions. This article ethnographically traces proces…
Of Lack and Loss: Assessing Cultural and Musical Poverty in Uttarakhand
I define cultural poverty as the absence or reduction of the means to express culture; and culture, in turn, consists of the shared habits of thought, feeling, and action that bind individuals to social collectives. Any absence or reduction of the means to musical expression may be termed musical poverty, which is a subset of cultural poverty. What does it mean for an individual or a social group to not have or to lose the ability for musical exp…
Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals
From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India
Every day central Himalayan musicians travel to studios in east Delhi to record their own renditions of rural festival dance-songs. The resulting recordings, infused with studio techniques and sonic “folk” tropes, are distributed, consumed, and reinterpreted back in the mountain villages where they may reinvigorate festival dance-song performances and perhaps eventually stimulate new studio productions. This article ethnographically traces proces…
All India Radio and the genealogies of folk music in Uttarakhand
While the role of All India Radio in shaping the national musical canon is well known, this article examines AIR's role in codifying and institutionalizing regional folk music, with particular focus on the Uttarakhand Himalayas. Between 1955 and 1978, hereditary and non-hereditary migrants from Garhwal and Kumaon were instrumental in making field recordings, arranging, composing, and broadcasting a variety of folk forms and styles that were made …
Articulating Regionalism through Popular Music: The Case ofNauchami Narayanain the Uttarakhand Himalayas
As regionalism has become a politically and economically advantageous policy across much of Asia, vernacular popular music has concomitantly become an important arena for articulating and codifying shared regionalist sentiment. This article explores the reasons for the emergence of subnational regionalism within post-independence India, and its more recent resurgence since the 1990s, arguing that expansion and diversification of popular music (in…
Of Lack and Loss: Assessing Cultural and Musical Poverty in Uttarakhand
I define cultural poverty as the absence or reduction of the means to express culture; and culture, in turn, consists of the shared habits of thought, feeling, and action that bind individuals to social collectives. Any absence or reduction of the means to musical expression may be termed musical poverty, which is a subset of cultural poverty. What does it mean for an individual or a social group to not have or to lose the ability for musical exp…
Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain
Book Review| February 01 2015 Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Falu Bakrania. 2013. Durham: Duke University Press. xvi, 245 pp., photographs, figures, bibliography, index. Paper, $23.95; Kindle, $15.12. Stefan Fiol Stefan Fiol Search for other works by this author on: This Site Google Ethnomusicology …
Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobility
Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobility
Harm-Heal: A Power Consciousness Model for Bodies of Privilege
Why do white, brahmin, and other dominant-raced and/or -casted bodies that have historically harmed Dalit, Muslim, Adivasi, Black, Indigenous, and other People of Color (DMA-BIPOC) continue to perpetrate harm? This article advances what we call the HARM-HEAL model to elucidate how power is conditioned in individual and collective bodies of privilege, and how power can be deconditioned and reconditioned to facilitate systemic change. Even as we ma…
Art (7 works) · History (7 works) · Music History and Culture (7 works) · Sociology (6 works) · Literature (5 works) · Musical (5 works) · Diverse Musicological Studies (4 works) · Law (4 works) · Political science (4 works) · Aesthetics (3 works)