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James B Morford

Biographic Data

ID683252
NAMEJames B Morford
GIVEN NAMESJames B
FAMILY NAMEMorford
SIGNATUREMORFORD J B
AFFILIATIONSUniversity of Washington
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Metric Modes and Fluid Meter in Mande Drumming Music

    Open Access•James B Morford, Aaron M David•ARTICLE•Music Theory Online•2023

    This article proposes a model that unites a broad range of performances of Mande drumming music within a single cohesive and fluid sub-beat metric framework. The framework categorizes musical performance in terms of two metric modes, each of which includes a set of metric cycles featuring non-isochronous pulsations. A novel feature of the proposed model that distinguishes it from previous research is that it frames metric non-isochrony in terms o…

  • The Revolution's Echoes

    James B Morford•ARTICLE•Ethnomusicology•2021•References: 1

  • Beyond Ebola

    James B Morford, James B Morford James B Morford•ARTICLE•Africa Today•2017

    James B. Morford, Beyond Ebola: Fundraising and the Impact of Ebola on Music and Dance Tourism in Guinea, Africa Today, Vol. 63, No. 3, Mobilizing Musical Performance and Expressive Culture in the Ebola 2014 Epidemic (Spring 2017), pp. 45-60

  • Get-in-the-groove music

    Karen Howard, James B Morford et al.•ARTICLE•International Journal of…•2013

    The expressive capacities of young children in music are understood to develop naturally from infancy, and are home-grown in families where music is valued and present. The act of ‘rhythmicking’, which is engagement in some manner of rhythmic behaviour, is one of children’s expressive features long before they are introduced to musical study in some formal or systematic manner. With a conscious attention to the application of a community music se…

No prominent works on this page.

  • Get-in-the-groove music

    Karen Howard, James B Morford et al.•ARTICLE•International Journal of…•2013

    The expressive capacities of young children in music are understood to develop naturally from infancy, and are home-grown in families where music is valued and present. The act of ‘rhythmicking’, which is engagement in some manner of rhythmic behaviour, is one of children’s expressive features long before they are introduced to musical study in some formal or systematic manner. With a conscious attention to the application of a community music se…

  • Beyond Ebola

    James B Morford, James B Morford James B Morford•ARTICLE•Africa Today•2017

    James B. Morford, Beyond Ebola: Fundraising and the Impact of Ebola on Music and Dance Tourism in Guinea, Africa Today, Vol. 63, No. 3, Mobilizing Musical Performance and Expressive Culture in the Ebola 2014 Epidemic (Spring 2017), pp. 45-60

  • The Revolution's Echoes

    James B Morford•ARTICLE•Ethnomusicology•2021•References: 1

  • Metric Modes and Fluid Meter in Mande Drumming Music

    Open Access•James B Morford, Aaron M David•ARTICLE•Music Theory Online•2023

    This article proposes a model that unites a broad range of performances of Mande drumming music within a single cohesive and fluid sub-beat metric framework. The framework categorizes musical performance in terms of two metric modes, each of which includes a set of metric cycles featuring non-isochronous pulsations. A novel feature of the proposed model that distinguishes it from previous research is that it frames metric non-isochrony in terms o…

Art (4 works) · Visual arts (3 works) · Aesthetics (2 works) · Ethnology (2 works) · Law (2 works) · Neuroscience and Music Perception (2 works) · New guinea (2 works) · Political science (2 works) · Psychology (2 works) · Sociology (2 works)

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