Liza Sapir Flood
Biographic Data
| ID | 683313 |
|---|---|
| NAME | Liza Sapir Flood |
| GIVEN NAMES | Liza Sapir |
| FAMILY NAME | Flood |
| SIGNATURE | FLOOD L S |
| AFFILIATIONS | University of Virginia |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Music is a Place
“Oprys” are public musicking events found in Appalachia and beyond. They facilitate regular embodied sociality between strangers and friends in a region often characterized by the social fallout of neoliberal economic trends. Drawing on ethnographic research in Tennessee and elsewhere, I show that oprys constitute rural working-class public space where participants negotiate a precarious cultural order through the affordances of live country musi…
Instrument in Tow
Entering the field with previously attained musical skills may help facilitate initial immersion. However, it may also deceptively signal to informants that an ethnographer is fluent in local intersocial practices. Reflexivity about this disjuncture can be an analytic tool within ethnographic methodology. I draw on field research in eastern Tennessee to show how my fiddling skills positioned me within ongoing social and musical encounters, despit…
Instrument in Tow
Entering the field with previously attained musical skills may help facilitate initial immersion. However, it may also deceptively signal to informants that an ethnographer is fluent in local intersocial practices. Reflexivity about this disjuncture can be an analytic tool within ethnographic methodology. I draw on field research in eastern Tennessee to show how my fiddling skills positioned me within ongoing social and musical encounters, despit…
Instrument in Tow
Entering the field with previously attained musical skills may help facilitate initial immersion. However, it may also deceptively signal to informants that an ethnographer is fluent in local intersocial practices. Reflexivity about this disjuncture can be an analytic tool within ethnographic methodology. I draw on field research in eastern Tennessee to show how my fiddling skills positioned me within ongoing social and musical encounters, despit…
Music is a Place
“Oprys” are public musicking events found in Appalachia and beyond. They facilitate regular embodied sociality between strangers and friends in a region often characterized by the social fallout of neoliberal economic trends. Drawing on ethnographic research in Tennessee and elsewhere, I show that oprys constitute rural working-class public space where participants negotiate a precarious cultural order through the affordances of live country musi…
Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Music History and Culture (2 works) · Sociology (2 works) · Anthropology (1 works) · Confusion (1 works) · Dialogic (1 works) · Diverse Music Education Insights (1 works) · Diverse Musicological Studies (1 works)