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Astrid Windus

Biographic Data

ID683653
NAMEAstrid Windus
GIVEN NAMESAstrid
FAMILY NAMEWindus
SIGNATUREWINDUS A
AFFILIATIONSUniversity of Cologne
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2023
H-INDEX1
  • The Feast of the Nazarene of Caguach

    Fernando Guzmán, Astrid Windus et al.•ARTICLE•Ethnohistory•2023•Cited by: 1•References: 9

    Every 30 August in the archipelago of Chiloé, the small island of Caguach welcomes hundreds of pilgrim seafarers who participate in the feast of Jesus Christ the Nazarene. The life-size figure of Christ carrying the cross is the most important cult image of Chiloé, and its worship can be seen as a transcultural product of the contact between Europeans and the Indigenous population since colonial times. In order to understand the emergence and dyn…

  • Epistemologías transculturales

    José Luis Martínez C, Astrid Windus•ARTICLE•Colonial Latin American Review•2019•References: 5

    It is proposed that there is an iconographic and epistemological relationship between some drawings in Felipe Guaman Poma de Ayala’s Nueva corónica y buen gobierno and the images recorded in several colonial wood vessels (qeros) which circulated widely during the time that Guaman Poma was writing his letter to the King of Spain. This connection shows that the work of Guaman Poma was not an isolated or singular act in the colonial context and that…

  • Espacios locales y espacios trascendentales de la conversión

    Astrid Windus•ARTICLE•Colonial Latin American Review•2019•Cited by: 1•References: 10

    The monumental paintings of the Postrimerías [Four Last Things] from the church of Carabuco (1684) serve as objects to study the complex dynamics of the visual and performative production of religious knowledge in a colonial contact zone. The article presents different ‘readings’ of the series that focus on possible uses and receptions of the paintings by local actors. These readings are based, on the one hand, on the idea of conceiving the serie…

  • ‘Y yo, con buen celo y ánimo, tomé los pinceles del oleo … ’

    Astrid Windus•ARTICLE•Colonial Latin American Review•2018

  • The Feast of the Nazarene of Caguach

    Fernando Guzmán, Astrid Windus et al.•ARTICLE•Ethnohistory•2023•Cited by: 1•References: 9

    Every 30 August in the archipelago of Chiloé, the small island of Caguach welcomes hundreds of pilgrim seafarers who participate in the feast of Jesus Christ the Nazarene. The life-size figure of Christ carrying the cross is the most important cult image of Chiloé, and its worship can be seen as a transcultural product of the contact between Europeans and the Indigenous population since colonial times. In order to understand the emergence and dyn…

  • Espacios locales y espacios trascendentales de la conversión

    Astrid Windus•ARTICLE•Colonial Latin American Review•2019•Cited by: 1•References: 10

    The monumental paintings of the Postrimerías [Four Last Things] from the church of Carabuco (1684) serve as objects to study the complex dynamics of the visual and performative production of religious knowledge in a colonial contact zone. The article presents different ‘readings’ of the series that focus on possible uses and receptions of the paintings by local actors. These readings are based, on the one hand, on the idea of conceiving the serie…

  • ‘Y yo, con buen celo y ánimo, tomé los pinceles del oleo … ’

    Astrid Windus•ARTICLE•Colonial Latin American Review•2018

  • Epistemologías transculturales

    José Luis Martínez C, Astrid Windus•ARTICLE•Colonial Latin American Review•2019•References: 5

    It is proposed that there is an iconographic and epistemological relationship between some drawings in Felipe Guaman Poma de Ayala’s Nueva corónica y buen gobierno and the images recorded in several colonial wood vessels (qeros) which circulated widely during the time that Guaman Poma was writing his letter to the King of Spain. This connection shows that the work of Guaman Poma was not an isolated or singular act in the colonial context and that…

  • Espacios locales y espacios trascendentales de la conversión

    Astrid Windus•ARTICLE•Colonial Latin American Review•2019•Cited by: 1•References: 10

    The monumental paintings of the Postrimerías [Four Last Things] from the church of Carabuco (1684) serve as objects to study the complex dynamics of the visual and performative production of religious knowledge in a colonial contact zone. The article presents different ‘readings’ of the series that focus on possible uses and receptions of the paintings by local actors. These readings are based, on the one hand, on the idea of conceiving the serie…

  • The Feast of the Nazarene of Caguach

    Fernando Guzmán, Astrid Windus et al.•ARTICLE•Ethnohistory•2023•Cited by: 1•References: 9

    Every 30 August in the archipelago of Chiloé, the small island of Caguach welcomes hundreds of pilgrim seafarers who participate in the feast of Jesus Christ the Nazarene. The life-size figure of Christ carrying the cross is the most important cult image of Chiloé, and its worship can be seen as a transcultural product of the contact between Europeans and the Indigenous population since colonial times. In order to understand the emergence and dyn…

Archaeology (3 works) · Art (3 works) · Colonialism (3 works) · History (3 works) · Humanities (3 works) · Latin American history and culture (3 works) · Sociology (3 works) · Anthropology (2 works) · History (2 works) · Law (2 works)

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