Elizabeth Rauh
Biographic Data
| ID | 6837883 |
|---|---|
| NAME | Elizabeth Rauh |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Rauh |
| SIGNATURE | RAUH E |
| AFFILIATIONS | University of Michigan |
| ORCID | 0000-0003-0081-3856 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Experiments in Eden
Following the 1958 Revolution, many Iraqi artists were sent abroad to study in foreign art academies and train in the latest methods – especially printmaking. The popularity and necessity of print in transnational decolonial movements lent printing practices a popular edge while enhancing the artwork’s seeming accessibility and reproducibility. As artists navigated the regional contours of transnational modernism while exploring graphic artmaking…
An Enduring Monument
On the morning of 18 March 2011, Bahrain’s state television broadcast the razing of the Pearl Roundabout and its iconic sculpture. This event, unsurprisingly, failed to quell the struggle between activists and the ruling elite. Rather, the destruction of the Pearl Monument (Luʾluʾ) and Bahrain’s ‘Pearl Square’ offered demonstrators a readymade symbol embodying the traumatic and violent days of the 2011 demonstrations and the ongoing government su…
No prominent works on this page.
An Enduring Monument
On the morning of 18 March 2011, Bahrain’s state television broadcast the razing of the Pearl Roundabout and its iconic sculpture. This event, unsurprisingly, failed to quell the struggle between activists and the ruling elite. Rather, the destruction of the Pearl Monument (Luʾluʾ) and Bahrain’s ‘Pearl Square’ offered demonstrators a readymade symbol embodying the traumatic and violent days of the 2011 demonstrations and the ongoing government su…
Experiments in Eden
Following the 1958 Revolution, many Iraqi artists were sent abroad to study in foreign art academies and train in the latest methods – especially printmaking. The popularity and necessity of print in transnational decolonial movements lent printing practices a popular edge while enhancing the artwork’s seeming accessibility and reproducibility. As artists navigated the regional contours of transnational modernism while exploring graphic artmaking…
Art (2 works) · Art history (2 works) · Global Maritime and Colonial Histories (2 works) · Political science (2 works) · Visual arts (2 works) · Archaeology (1 work) · Computer Science (1 work) · Cultural Heritage Management and Preservation (1 work) · Elite (1 work) · Graffiti (1 work)