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Andrea F Bohlman

Biographic Data

ID684028
NAMEAndrea F Bohlman
GIVEN NAMESAndrea F
FAMILY NAMEBohlman
SIGNATUREBOHLMAN A F
AFFILIATIONSUniversity of North Carolina at Chapel Hill
ORCID0000-0001-6333-3337
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Kronos at Skywalker Sound

    Open Access•Andrea F Bohlman•ARTICLE•Contemporary Music Review•2026

    This interview with Leslie Ann Jones, Director of Music Recording and Scoring at Skywalker Sound, draws on more than two decades of recording engineering for the Kronos Quartet. The 2019 recording of Terry Riley’s Sun Rings, for which she and mixing engineer John Kilgore won a Grammy, serves as a touchstone. The conversation provides insight into shared responsibility and collaboration during the recording process, especially as Jones reflects on…

  • Media of the Masses

    Andrea F Bohlman•ARTICLE•Isis•2025

  • Sounding Plastic

    Open Access•Andrea F Bohlman•ARTICLE•Slavic Review•2023

    This essay asks what archival sound objects-in this case a vast stockpile of bootleg music recordings-can tell us about cultures of listening and the cultivation of intimacy through sound under state socialism. It combines ethnographic and historical methodologies to analyze a format for popular music that circulated through an alternative economy in the People's Republic of Poland from the 1950s through the 1980s: the "sound postcard" (pocztówka…

  • Hush

    Andrea F Bohlman•ARTICLE•Technology and Culture•2021

    Reviewed by: Hush: Media and Sonic Self-Control by Mack Hagood Andrea F. Bohlman (bio) Hush: Media and Sonic Self-Control By Mack Hagood. Durham: Duke University Press, 2019. Pp. 276. One resounding refrain of the home-office videoconference in 2020 and 2021 is surely the command, "Unmute yourself!" The directive uses sound to clue a speaker into a communication breakdown precipitated by a counterintuitive conversation interface, inviting the ind…

  • Electronic Music, Sampling, and the Tape Snippet

    Andrea F Bohlman•ARTICLE•Contemporary Music Review•2020

    Warsaw's Experimental Studio of Polish Radio (1957–2004) was integral to public media production in Poland. At the its consoles, composers and engineers studied acoustics, made incidental sounds for television, radio, and film, and composed large-scale works that circulated at new music festivals around the world during the Cold War. Their tape-oriented poetics, acoustic play, archival whimsy, and electronic production shaped the media imaginary …

  • Cassette

    Andrea F Bohlman•ARTICLE•Ethnomusicology•2020

  • Sonic anarchy on display

    Andrea F Bohlman•ARTICLE•Sound Studies•2017

    At the entrance to Critical Constellations of the Audio-Machine in Mexico (hereafter CCAMM), I encounter a wall. So would you, if you went. Or maybe you walked by it. Approximately three meters hig

  • Hanns Eisler on the Move

    Andrea F Bohlman, Florian Scheding•ARTICLE•Music and Letters•2015

    Begun on a train from Svendborg in Denmark to Prague in 1937 and developed until his forced departure from the United States in 1948, Hanns Eisler’s Reisesonate (Travel Sonata) is inextricably linked with the composer’s displacements. This article positions the Reisesonate in several contexts—its material, performance, stylistic, and political histories—that challenge the directional simplicity of emigration as the move from home to exile, from n…

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  • Hanns Eisler on the Move

    Andrea F Bohlman, Florian Scheding•ARTICLE•Music and Letters•2015

    Begun on a train from Svendborg in Denmark to Prague in 1937 and developed until his forced departure from the United States in 1948, Hanns Eisler’s Reisesonate (Travel Sonata) is inextricably linked with the composer’s displacements. This article positions the Reisesonate in several contexts—its material, performance, stylistic, and political histories—that challenge the directional simplicity of emigration as the move from home to exile, from n…

  • Sonic anarchy on display

    Andrea F Bohlman•ARTICLE•Sound Studies•2017

    At the entrance to Critical Constellations of the Audio-Machine in Mexico (hereafter CCAMM), I encounter a wall. So would you, if you went. Or maybe you walked by it. Approximately three meters hig

  • Electronic Music, Sampling, and the Tape Snippet

    Andrea F Bohlman•ARTICLE•Contemporary Music Review•2020

    Warsaw's Experimental Studio of Polish Radio (1957–2004) was integral to public media production in Poland. At the its consoles, composers and engineers studied acoustics, made incidental sounds for television, radio, and film, and composed large-scale works that circulated at new music festivals around the world during the Cold War. Their tape-oriented poetics, acoustic play, archival whimsy, and electronic production shaped the media imaginary …

  • Cassette

    Andrea F Bohlman•ARTICLE•Ethnomusicology•2020

  • Hush

    Andrea F Bohlman•ARTICLE•Technology and Culture•2021

    Reviewed by: Hush: Media and Sonic Self-Control by Mack Hagood Andrea F. Bohlman (bio) Hush: Media and Sonic Self-Control By Mack Hagood. Durham: Duke University Press, 2019. Pp. 276. One resounding refrain of the home-office videoconference in 2020 and 2021 is surely the command, "Unmute yourself!" The directive uses sound to clue a speaker into a communication breakdown precipitated by a counterintuitive conversation interface, inviting the ind…

  • Sounding Plastic

    Open Access•Andrea F Bohlman•ARTICLE•Slavic Review•2023

    This essay asks what archival sound objects-in this case a vast stockpile of bootleg music recordings-can tell us about cultures of listening and the cultivation of intimacy through sound under state socialism. It combines ethnographic and historical methodologies to analyze a format for popular music that circulated through an alternative economy in the People's Republic of Poland from the 1950s through the 1980s: the "sound postcard" (pocztówka…

  • Media of the Masses

    Andrea F Bohlman•ARTICLE•Isis•2025

  • Kronos at Skywalker Sound

    Open Access•Andrea F Bohlman•ARTICLE•Contemporary Music Review•2026

    This interview with Leslie Ann Jones, Director of Music Recording and Scoring at Skywalker Sound, draws on more than two decades of recording engineering for the Kronos Quartet. The 2019 recording of Terry Riley’s Sun Rings, for which she and mixing engineer John Kilgore won a Grammy, serves as a touchstone. The conversation provides insight into shared responsibility and collaboration during the recording process, especially as Jones reflects on…

Art (4 works) · History (3 works) · Music History and Culture (3 works) · Sociology (3 works) · Archaeology (2 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Literature (2 works) · Media studies (2 works) · Aesthetics (1 work)

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