Tyler Yamin
Biographic Data
| ID | 684135 |
|---|---|
| NAME | Tyler Yamin |
| GIVEN NAMES | Tyler |
| FAMILY NAME | Yamin |
| SIGNATURE | YAMIN T |
| AFFILIATIONS | Bucknell University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
"Sounds like" Redemption
Popular and academic studies of music frequently claim that human musicality arose from the so-called natural world of nonhuman species. And, amid the anxieties produced by the Anthropocene, it is thought that the possibility of reconnecting with the natural world through a renewed appreciation of music's links with nature may usher in a new era of posthuman environmental consciousness, offering repair and redemption. Intervening in these debates…
Tuning Species
At the Gibbon Conservation Center-a nonprofit facility in Southern California dedicated to caring for endangered primates that produce complex and coordinated vocalizations-sound, as both a material and a metaphor, disciplines the conceptualization and implementation of a breeding program intended to stabilize the genetic diversity of the captive animal population. Understanding this program of compulsory reproductive biopolitics to be a project …
Listening through partitions
One or Several Gamelan? Perpetual (Re)construction in the Life of a Balinese Gamelan Semara Pagulingan
After a century of modification, the gamelan semara pagulingan of Kamasan village, Bali, scarcely resembles its original form, and many of its discarded components have been incorporated into other gamelan. Its undeniable continuity, therefore, must be defined by different criteria. In this article, I propose an approach to the lives of musical instruments predicated not upon material or sonic taxonomies, which are ill-equipped to account for the…
"Sounds like" Redemption
Popular and academic studies of music frequently claim that human musicality arose from the so-called natural world of nonhuman species. And, amid the anxieties produced by the Anthropocene, it is thought that the possibility of reconnecting with the natural world through a renewed appreciation of music's links with nature may usher in a new era of posthuman environmental consciousness, offering repair and redemption. Intervening in these debates…
Tuning Species
At the Gibbon Conservation Center-a nonprofit facility in Southern California dedicated to caring for endangered primates that produce complex and coordinated vocalizations-sound, as both a material and a metaphor, disciplines the conceptualization and implementation of a breeding program intended to stabilize the genetic diversity of the captive animal population. Understanding this program of compulsory reproductive biopolitics to be a project …
One or Several Gamelan? Perpetual (Re)construction in the Life of a Balinese Gamelan Semara Pagulingan
After a century of modification, the gamelan semara pagulingan of Kamasan village, Bali, scarcely resembles its original form, and many of its discarded components have been incorporated into other gamelan. Its undeniable continuity, therefore, must be defined by different criteria. In this article, I propose an approach to the lives of musical instruments predicated not upon material or sonic taxonomies, which are ill-equipped to account for the…
Listening through partitions
"Sounds like" Redemption
Popular and academic studies of music frequently claim that human musicality arose from the so-called natural world of nonhuman species. And, amid the anxieties produced by the Anthropocene, it is thought that the possibility of reconnecting with the natural world through a renewed appreciation of music's links with nature may usher in a new era of posthuman environmental consciousness, offering repair and redemption. Intervening in these debates…
Tuning Species
At the Gibbon Conservation Center-a nonprofit facility in Southern California dedicated to caring for endangered primates that produce complex and coordinated vocalizations-sound, as both a material and a metaphor, disciplines the conceptualization and implementation of a breeding program intended to stabilize the genetic diversity of the captive animal population. Understanding this program of compulsory reproductive biopolitics to be a project …
Art (2 works) · Diverse Musicological Studies (2 works) · History (2 works) · Music History and Culture (2 works) · Sociology (2 works) · Visual arts (2 works) · Active listening (1 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Archaeology and Rock Art Studies (1 works)