Raúl Montero Gilete
Biographic Data
| ID | 6844666 |
|---|---|
| NAME | Raúl Montero Gilete |
| GIVEN NAMES | Raúl Montero |
| FAMILY NAME | Gilete |
| SIGNATURE | GILETE R M |
| AFFILIATIONS | University of the Basque Country |
| ORCID | 0000-0002-2008-0963 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Nature as Home Through the Portrait of Goldberry and Tom Bombadil in J.R.R. Tolkien’s Old Forest
In Tolkien’s The Lord of the Rings (LotR), places are not simply spaces where actions take place, but fully integrated settings in the author’s mythology which convey an ideological charge and deve
Contemporaneity, Religious Instruction and Music in Dryden’s “A Song for St. Cecilia’s Day” and C.S. Lewis’ The Chronicles of Narnia
In English literature, we sometimes find biblical messages that have been adapted to the contemporary reader, and may be interpreted as veiled religious instructions such as John Bunyan’s The Pilgrim’s Progress. The present study delves into this idea by presenting and comparing John Dryden’s neoclassical poem, “A Song for St. Cecilia’s Day”, with C.S. Lewis’s fantasy heptalogy, The Chronicles of Narnia. Both texts contain the Christian doctrine …
The Hero’s Journey: The Miltonian Satan of the British Epic in Opposition to the Kingian Roland of the American fictional West
This article focuses on the concept of “monomyth” or “the hero’s journey”, applied to the character of Satan in the poem Paradise Lost (1667) by John Milton and Roland in the saga of contemporary fiction The Dark Tower (1982-2012) by Stephen King. We observe the peculiarities of these writings, paying special attention to their structures, whose meanings contribute to the creation of the characters and to the way in which the narrative scheme of …
The Scarecrow, Narnia, and Jesus of Nazareth
This article presents the Scarecrow Literature as a sub-genre of Fantasy literature, which was born in Anglo-Saxon countries in the 20th century. In it, a variety of traditions, cultures and religions are intertwined. They have several common characteristics: they embody and update Christianity’s values, they employ fantastical clothing and use imagination as a tool. In this sub-genre, children make a journey from our world to a secondary world, …
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The Scarecrow, Narnia, and Jesus of Nazareth
This article presents the Scarecrow Literature as a sub-genre of Fantasy literature, which was born in Anglo-Saxon countries in the 20th century. In it, a variety of traditions, cultures and religions are intertwined. They have several common characteristics: they embody and update Christianity’s values, they employ fantastical clothing and use imagination as a tool. In this sub-genre, children make a journey from our world to a secondary world, …
The Hero’s Journey: The Miltonian Satan of the British Epic in Opposition to the Kingian Roland of the American fictional West
This article focuses on the concept of “monomyth” or “the hero’s journey”, applied to the character of Satan in the poem Paradise Lost (1667) by John Milton and Roland in the saga of contemporary fiction The Dark Tower (1982-2012) by Stephen King. We observe the peculiarities of these writings, paying special attention to their structures, whose meanings contribute to the creation of the characters and to the way in which the narrative scheme of …
Contemporaneity, Religious Instruction and Music in Dryden’s “A Song for St. Cecilia’s Day” and C.S. Lewis’ The Chronicles of Narnia
In English literature, we sometimes find biblical messages that have been adapted to the contemporary reader, and may be interpreted as veiled religious instructions such as John Bunyan’s The Pilgrim’s Progress. The present study delves into this idea by presenting and comparing John Dryden’s neoclassical poem, “A Song for St. Cecilia’s Day”, with C.S. Lewis’s fantasy heptalogy, The Chronicles of Narnia. Both texts contain the Christian doctrine …
Nature as Home Through the Portrait of Goldberry and Tom Bombadil in J.R.R. Tolkien’s Old Forest
In Tolkien’s The Lord of the Rings (LotR), places are not simply spaces where actions take place, but fully integrated settings in the author’s mythology which convey an ideological charge and deve
Art (4 works) · History (4 works) · Art history (3 works) · Literature (3 works) · Fantasy (2 works) · Folklore, Mythology, and Literature Studies (2 works) · Law (2 works) · Philosophy (2 works) · Poetry (2 works) · Themes in Literature Analysis (2 works)