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Allison Caplan

Biographic Data

ID684566
NAMEAllison Caplan
GIVEN NAMESAllison
FAMILY NAMECaplan
SIGNATURECAPLAN A
AFFILIATIONSUniversity of California, Santa Barbara
ORCID0000-0003-0366-0074
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS7
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Locking Eyes with the Sun

    Open Access•Allison Caplan•ARTICLE•MAVCOR Journal•2021

    As understood from two closely related versions in Books 10 and 11 of the Florentine Codex, a narrative describing interactions between a human knower, sun, and precious stones enables a new interpretation of Nahua accounts of precious stones releasing vapors, while also providing greater insight into the nature of sensory experience in Nahua thought more generally

  • Blowers of Sun-Excrement

    Allison Caplan•ARTICLE•West 86th•2021

  • The Living Feather

    Allison Caplan•ARTICLE•Ethnohistory•2020•Cited by: 3•References: 10

    Previous studies suggest that late postclassic and early colonial Nahua viewers understood specific artistic creations to contain tonalli, a solar-derived animating force. This article advances understanding of the animacy of Nahua featherworks by examining attention to tonalli in the various stages of featherwork production. Analysis of a classificatory distinction used in the sixteenth-century Florentine Codex between tlazohihhuitl (beloved fea…

  • Introduction

    Lisa Sousa, Allison Caplan•ARTICLE•Ethnohistory•2020•Cited by: 3•References: 18

    Birds and their feathers have long occupied a unique place in the social, cultural, and intellectual life of the Americas. This was particularly so in Mesoamerica, where ancient civilizations and colonial societies developed extensive knowledge of birds, their behaviors and habitats, and their vibrant plumage. This special issue brings together scholars from a variety of disciplines, including art history, history, and biology, to promote discuss…

  • Bridging Biology and Ethnohistory

    Allison Caplan, James M Maley et al.•ARTICLE•Ethnohistory•2020•Cited by: 1•References: 26

    Interdisciplinary scholarship that combines research questions and methodologies from biology and ethnohistory generates new insights into historical interactions between human and bird populations in ancient and colonial Mesoamerica. Codices, ethnohistorical sources, and surviving feather art point to the religious, economic, and artistic importance of various types of birds to Nahua people. Alongside the well-known resplendent quetzal and lovel…

  • The Living Feather

    Allison Caplan•ARTICLE•Ethnohistory•2020•Cited by: 3•References: 10

    Previous studies suggest that late postclassic and early colonial Nahua viewers understood specific artistic creations to contain tonalli, a solar-derived animating force. This article advances understanding of the animacy of Nahua featherworks by examining attention to tonalli in the various stages of featherwork production. Analysis of a classificatory distinction used in the sixteenth-century Florentine Codex between tlazohihhuitl (beloved fea…

  • Introduction

    Lisa Sousa, Allison Caplan•ARTICLE•Ethnohistory•2020•Cited by: 3•References: 18

    Birds and their feathers have long occupied a unique place in the social, cultural, and intellectual life of the Americas. This was particularly so in Mesoamerica, where ancient civilizations and colonial societies developed extensive knowledge of birds, their behaviors and habitats, and their vibrant plumage. This special issue brings together scholars from a variety of disciplines, including art history, history, and biology, to promote discuss…

  • Bridging Biology and Ethnohistory

    Allison Caplan, James M Maley et al.•ARTICLE•Ethnohistory•2020•Cited by: 1•References: 26

    Interdisciplinary scholarship that combines research questions and methodologies from biology and ethnohistory generates new insights into historical interactions between human and bird populations in ancient and colonial Mesoamerica. Codices, ethnohistorical sources, and surviving feather art point to the religious, economic, and artistic importance of various types of birds to Nahua people. Alongside the well-known resplendent quetzal and lovel…

  • The Living Feather

    Allison Caplan•ARTICLE•Ethnohistory•2020•Cited by: 3•References: 10

    Previous studies suggest that late postclassic and early colonial Nahua viewers understood specific artistic creations to contain tonalli, a solar-derived animating force. This article advances understanding of the animacy of Nahua featherworks by examining attention to tonalli in the various stages of featherwork production. Analysis of a classificatory distinction used in the sixteenth-century Florentine Codex between tlazohihhuitl (beloved fea…

  • Introduction

    Lisa Sousa, Allison Caplan•ARTICLE•Ethnohistory•2020•Cited by: 3•References: 18

    Birds and their feathers have long occupied a unique place in the social, cultural, and intellectual life of the Americas. This was particularly so in Mesoamerica, where ancient civilizations and colonial societies developed extensive knowledge of birds, their behaviors and habitats, and their vibrant plumage. This special issue brings together scholars from a variety of disciplines, including art history, history, and biology, to promote discuss…

  • Bridging Biology and Ethnohistory

    Allison Caplan, James M Maley et al.•ARTICLE•Ethnohistory•2020•Cited by: 1•References: 26

    Interdisciplinary scholarship that combines research questions and methodologies from biology and ethnohistory generates new insights into historical interactions between human and bird populations in ancient and colonial Mesoamerica. Codices, ethnohistorical sources, and surviving feather art point to the religious, economic, and artistic importance of various types of birds to Nahua people. Alongside the well-known resplendent quetzal and lovel…

  • Locking Eyes with the Sun

    Open Access•Allison Caplan•ARTICLE•MAVCOR Journal•2021

    As understood from two closely related versions in Books 10 and 11 of the Florentine Codex, a narrative describing interactions between a human knower, sun, and precious stones enables a new interpretation of Nahua accounts of precious stones releasing vapors, while also providing greater insight into the nature of sensory experience in Nahua thought more generally

  • Blowers of Sun-Excrement

    Allison Caplan•ARTICLE•West 86th•2021

Latin American history and culture (5 works) · Archaeology (4 works) · History (4 works) · Art (3 works) · Biology (3 works) · Colonialism (3 works) · Visual arts (3 works) · Anthropology (2 works) · Ecology (2 works) · Ecology (2 works)

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