M Á Respaldiza
Biographic Data
| ID | 6855925 |
|---|---|
| NAME | M Á Respaldiza |
| GIVEN NAMES | M Á |
| FAMILY NAME | Respaldiza |
| SIGNATURE | RESPALDIZA M Á |
| AFFILIATIONS | Centro Nacional de Aceleradores |
| ORCID | 0000-0001-6048-7621 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Unveiling the Artistry of Juan Martínez Montañés
Juan Martínez Montañés was one of the most important sculptors and altarpiece architects of the Spanish Golden Age. The restoration of the Santa Clara church in Seville has presented a unique opportunity to study the main altarpiece, crafted by Montañés between 1621 and 1623. He was also in charge of the polychromy and gilding, believing that delegating these procedures to others would diminish the quality of his work. This conviction led to a we…
Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville
In the last decade, the hyperspectral imaging (HSI) method allowed performing non-invasive analysis in the field of cultural heritage. However, a considerable limitation was given by redundant and time-consuming features, with the necessary application of statistical algorithms and image-processing tools to extract relevant information. In this study, the Centro Nacional de Aceleradores (CNA) and the Group of Interdisciplinary Physics (GFI) of th…
Material and Imaging Analysis Procedure for the Investigation of Paintings in the Archbishop’s Palace of Seville
The Archbishop’s Palace of Seville harbours an important art collection with mostly works by great Renaissance and Baroque artists. However, the authorship of some paintings is unknown, and, in a few cases, there is an interest in discovering the painter due to the quality of the artwork. As a first step for this purpose, a systematic analysis procedure has been established using non-destructive techniques, such as UV photography and IR reflectog…
An approach to the metallic composition of the Carthage mint coins from the tetrarchic hoard of Tomares (CA. 312 CE)
A group of 533 nummi from to the Tomares hoard, found in Seville in 2016, has been studied to characterize their metallic composition. The coins selected were struck in the mint of Carthage between AD 297 and 307. The statistical analysis of the non-destructive XRF data increase our understanding of a mint which has been paid less attention that others to date, in both material and historical terms. No differences in the composition of the coins …
In-situ non-destructive analysis of Etruscan gold jewels with the micro-XRF transportable spectrometer from CNA
Materials applied in Bernardo Martorell’s painting analysed by portable XRF
Bernardo Martorell was a leading artist of the 15th century in Catalonia. His panel painting the Ascension of the Virgin is one of the oldest in the collection of Fine Arts Museum of Seville. This is why it was chosen for the analysis among several other panels which form part of a bigger project between the Museum and the National Centre of Accelerators. The research work is dedicated to the characterization of materials applied in the Spanish p…
In-situ non-destructive analysis of Etruscan gold jewels with the micro-XRF transportable spectrometer from CNA
Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville
In the last decade, the hyperspectral imaging (HSI) method allowed performing non-invasive analysis in the field of cultural heritage. However, a considerable limitation was given by redundant and time-consuming features, with the necessary application of statistical algorithms and image-processing tools to extract relevant information. In this study, the Centro Nacional de Aceleradores (CNA) and the Group of Interdisciplinary Physics (GFI) of th…
An approach to the metallic composition of the Carthage mint coins from the tetrarchic hoard of Tomares (CA. 312 CE)
A group of 533 nummi from to the Tomares hoard, found in Seville in 2016, has been studied to characterize their metallic composition. The coins selected were struck in the mint of Carthage between AD 297 and 307. The statistical analysis of the non-destructive XRF data increase our understanding of a mint which has been paid less attention that others to date, in both material and historical terms. No differences in the composition of the coins …
Materials applied in Bernardo Martorell’s painting analysed by portable XRF
Bernardo Martorell was a leading artist of the 15th century in Catalonia. His panel painting the Ascension of the Virgin is one of the oldest in the collection of Fine Arts Museum of Seville. This is why it was chosen for the analysis among several other panels which form part of a bigger project between the Museum and the National Centre of Accelerators. The research work is dedicated to the characterization of materials applied in the Spanish p…
In-situ non-destructive analysis of Etruscan gold jewels with the micro-XRF transportable spectrometer from CNA
An approach to the metallic composition of the Carthage mint coins from the tetrarchic hoard of Tomares (CA. 312 CE)
A group of 533 nummi from to the Tomares hoard, found in Seville in 2016, has been studied to characterize their metallic composition. The coins selected were struck in the mint of Carthage between AD 297 and 307. The statistical analysis of the non-destructive XRF data increase our understanding of a mint which has been paid less attention that others to date, in both material and historical terms. No differences in the composition of the coins …
Material and Imaging Analysis Procedure for the Investigation of Paintings in the Archbishop’s Palace of Seville
The Archbishop’s Palace of Seville harbours an important art collection with mostly works by great Renaissance and Baroque artists. However, the authorship of some paintings is unknown, and, in a few cases, there is an interest in discovering the painter due to the quality of the artwork. As a first step for this purpose, a systematic analysis procedure has been established using non-destructive techniques, such as UV photography and IR reflectog…
Unveiling the Artistry of Juan Martínez Montañés
Juan Martínez Montañés was one of the most important sculptors and altarpiece architects of the Spanish Golden Age. The restoration of the Santa Clara church in Seville has presented a unique opportunity to study the main altarpiece, crafted by Montañés between 1621 and 1623. He was also in charge of the polychromy and gilding, believing that delegating these procedures to others would diminish the quality of his work. This conviction led to a we…
Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville
In the last decade, the hyperspectral imaging (HSI) method allowed performing non-invasive analysis in the field of cultural heritage. However, a considerable limitation was given by redundant and time-consuming features, with the necessary application of statistical algorithms and image-processing tools to extract relevant information. In this study, the Centro Nacional de Aceleradores (CNA) and the Group of Interdisciplinary Physics (GFI) of th…
Cultural Heritage Materials Analysis (6 works) · Art (5 works) · Painting (4 works) · Visual arts (4 works) · X-ray Spectroscopy and Fluorescence Analysis (4 works) · Art history (3 works) · Conservation Techniques and Studies (3 works) · Materials Science (3 works) · Archaeology (2 works) · Building materials and conservation (2 works)